Episode 359: Metaphors and Similes We're in the “similes are metaphors” camp. December 26, 2021December 23, 2021 by Oren Ashkenazi, Chris Winkle, and Wes Matlock
Lessons From the Vague Writing of The Remnant Chronicles Marketing buzzwords vs the story: the battle begins. December 24, 2021April 6, 2022 by Chris Winkle in Analysis, Writing
Q&A: Am I Using Too Many Hyphens, Dashes, or Ellipses? Submitted by Evan, answered by Chris Winkle December 6, 2021December 2, 2021 in Writing
Using Emphasis to Give Your Narration More Punch Just be careful not to overuse it. November 19, 2021November 18, 2021 by Chris Winkle in Writing
Episode 353: Fantasy Words Readers have a surprisingly small amount of attention span to learn new words. November 14, 2021July 25, 2022 by Oren Ashkenazi, Chris Winkle, and Wes Matlock
How Useful Are Elmore Leonard’s 10 Rules of Writing? Writers love to offer lists of rules for writing, especially if they’ve got a book to promote. October 23, 2021December 2, 2022 by Oren Ashkenazi in Commentary
How to Create a Mysterious Atmosphere Unless you use restraint with fantastical elements, you'll lose the aura of mystery. October 15, 2021May 28, 2022 by Chris Winkle in Storytelling, Worldbuilding
Episode 347: Narrative Premise Telling a story is one thing, but how you tell it is another. October 3, 2021October 2, 2021 by Oren Ashkenazi, Chris Winkle, Wes Matlock, and Juan Pistis
Which Descriptive Details Are Excessive to Readers? Don't describe scenes as though you're taking a photograph. September 10, 2021May 24, 2022 by Chris Winkle in Writing
How Can Writers Make Description Evocative? The best description conveys the right tone, is easy to imagine, and makes the world feel alive. September 3, 2021September 3, 2021 by Chris Winkle in Writing
Episode 339: Elements of Good Description Hot take: words are made up, don't use them. August 8, 2021September 30, 2021 by Oren Ashkenazi, Wes Matlock, and Chris Winkle
Five Simple Ways to Make Your Prose Easier to Read What to do when your wordcraft is dooming your story's chances. July 9, 2021July 8, 2021 by Chris Winkle in Writing
Episode 331: Flashbacks and Interludes Nothing good happens in an interlude. June 13, 2021April 20, 2022 by Oren Ashkenazi, Wes Matlock, and Chris Winkle
Narration Makeover: Giving Action More Immediacy The last thing you want is prose that makes action feel like a slog. May 21, 2021June 14, 2021 by Chris Winkle in Writing
Episode 325: Ending Lines What is that last line even for? May 2, 2021September 29, 2021 by Oren Ashkenazi, Wes Matlock, Chris Winkle, and Svend Phillips
Episode 324: Opening Lines Due to the linear nature of spacetime, stories have to start somewhere. April 25, 2021September 4, 2021 by Oren Ashkenazi, Chris Winkle, and Wes Matlock
How to Teach World Terms Without Confusing Readers Confusing new terms can make readers feel jarred and overwhelmed. April 16, 2021May 24, 2022 by Chris Winkle in Worldbuilding, Writing
Episode 316: Prescriptivism The term “prescriptivism” gets thrown around a lot, but what does it really mean? February 28, 2021September 4, 2021 by Oren Ashkenazi, Chris Winkle, and Wes Matlock
Episode 314: Levels of Editing Most writers will seek out editing at some point, but what kind of editing should you get? February 14, 2021June 20, 2022 by Chris Winkle, Wes Matlock, Ariel Anderson, and Svend Phillips
Episode 313: Cutting Clutter Behold, an introduction, a beginning if you will, and we shall, heretofore, lay out the topic. February 7, 2021September 28, 2021 by Ariel Anderson, Wes Matlock, Chris Winkle, and Svend Phillips
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