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Many writers hope to create the immersive experiences they watch on a screen. Ironically, delivering the most immersive experience in writing depends on learning techniques that don’t exist in film. The narrative style writers need for this is close perspective. Read more »
This post-apocalyptic YA novel by James Dashner spawned not only bestselling sequels but also a movie series. A bad movie series, I hear, but they star Dylan O’Brien (aka Styles), so how bad could they be? I think the cover art is gorgeous, but I’m … read more »
For a lot of people, “adverbs” mean all those pesky words ending in “-ly” that tell rather than show, but it turns out there’s more. A lot more. Would you believe it if we told you that a huge junk of our words are in fact adverbs, maybe even a majority of them? Read more »
When we do a content edit, we focus on the big-picture stuff first. There’s no point in nitpicking small things that might be rewritten anyway. However, we do run into lots of problems at the wordcraft level. To help everyone improve their prose, let’s go … read more »
Since we’re lucky enough to have Ariel in the studio once again, we’ve decided to take a deep dive into common wordcraft mistakes. There’s no plot or character analysis here, just the words and punctuation on the page. Mostly, it’s how those words and punctuation … read more »
This may come as a shock, but writers don’t always agree. When these disagreements are on the technical minutiae of wordcraft, it can be especially confusing to newcomers. Most newcomers just want to write respectable prose. So, how can you tell what that is when … read more »
But soft, what podcast through yonder feed breaks? That there was an allusion, one of the many many literary devices authors have at their disposal. But what do literary devices mean, and how can they be used in a way that’s not grating and awkward? … read more »
Many writers have a pet narrative technique they think is underused and underappreciated. For me, it’s epistolary writing. While this framing premise has its challenges, it can also be wonderfully creative and powerful. For those who haven’t tried it, allow me to give you a … read more »
A story’s environment is vitally important, but how do we describe it? Too little description and the reader feels like the story takes place in a blank white void. Too much description and the plot gets lost. Should you use unusual and distinctive words, or … read more »
Making your protagonist a relatable underdog is a great way to encourage your audience to bond with them. Unfortunately, it’s easy for this effort to go wrong. Instead of feeling sympathy for your hero, the audience might think your character is whiny and unpleasant. The narration … read more »