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What do Discworld, Alice in Wonderland, Hitchhiker’s Guide to the Galaxy, and Lord of the Rings have in common? If you guessed “omniscient narration,” then you’re right, but you also cheated by reading my title. No matter – I will still share the secrets of this powerful but challenging … read more »
Sometimes a sentence is very long, and it keeps going and going with commas in places that a period could be and extra clauses that don’t necessarily need to be there. Other times a sentence is short. Which is better? As is so often the … read more »
Some writers start every sentence with “there are,” others can’t stop italicizing, and still others write sentences that never end. We’ve all got bad habits in our writing, and this week Ariel returns to discuss them with Chris and Wes. Our hosts are all editors, … read more »
What’s this? Ariel has returned from the wilderness of freelance editing to grace our podcast yet again. She joins Chris and Wes for an in-depth discussion of emphasis in writing. How should writers make key passages stand out? How much is too much? Is bolding … read more »
Fiction is made of people doing things, and the standard “protagonist verb object” is a strong way to write that. But if you structure all your sentences that way, you’ll have a monotonous mess on your hands. When that happens, it can be a struggle to inject some life into stale phrasing. To keep your head from hitting the desk, I have some quick ideas you can use. Read more »
Speculative fiction calls for a vast array of narrative personalities. A spec fic writer could be called on to write in the voice of a clockwork golem, a garter snake, or an otherworldly alien. But instead of flavoring your wordcraft with these perspectives, it’s all too … read more »
It’s time to tear apart The Tommyknockers, written by the venerable Stephen King and published in 1987. In his long and prolific history of writing, King has both gems and duds. Even within a work, his improvised storytelling technique tends to turn out both brilliant moments … read more »
The choice of perspective has important ramifications for a story. The best perspective will be the one that reinforces the goals of the story, matches the writer’s skill set, and feels invisible to the audience. I’ll describe the different factors involved in a story’s perspective and how they are likely to … read more »
The old adage “show; don’t tell” is great advice for new writers. But with practice, writers can master many creative techniques that depart from standard showing. Evocative telling is one of those techniques, and it can add a lot to a story. Read more »
We’ve had good fun examining the beginnings of popular works. But beginnings don’t exist in a vacuum; they set up for the middle and end. So this time we’ll look at an entire short story: Beyond Lies the Wub by Philip K. Dick. Dick wrote … read more »