by
Oren Ashkenazi
Writing a single novel is hard enough, and writing an entire series is notoriously difficult. It’s so difficult that when I published a post on tips for writing sequels, some commenters responded with the equivalent of “don’t.” In particular, it’s a real challenge to maintain … read more »Storytelling
by
Chris Winkle
While stories use multiple methods of engaging audiences, conflict and tension are probably the most essential for longer stories. What we call pace is the timing and intensity of that conflict and tension throughout. A pace that’s too low will put an audience to sleep, … read more »Writing
by
Chris Winkle
We’ve discussed creating tension at a big-picture level many times. However, it’s not enough to have a big-picture plan; tension must also be brought out in the narration. While the bestselling books I critique almost always have tense narration covered, manuscripts often don’t. Let’s help … read more »Writing
by
Chris Winkle
I was hoodwinked by the marketing of Winter World. It says “International Bestseller” on the cover, and without thinking about it too hard, I assumed that meant this book was a bestseller. Only later did I realize it’s probably referring to the author, A. G. … read more »Storytelling
by
Chris Winkle
You’ve added lots of conflict to your story, but readers are still telling you it’s boring. What gives? Unfortunately, a number of different things can cause this problem. To help you troubleshoot, let’s go over some common reasons that tension might be missing.
Writing a single novel is hard enough, and writing an entire series is notoriously difficult. It’s so difficult that when I published a post on tips for writing sequels, some commenters responded with the equivalent of “don’t.” In particular, it’s a real challenge to maintain … read more » 
While stories use multiple methods of engaging audiences, conflict and tension are probably the most essential for longer stories. What we call pace is the timing and intensity of that conflict and tension throughout. A pace that’s too low will put an audience to sleep, … read more » 
We’ve discussed creating tension at a big-picture level many times. However, it’s not enough to have a big-picture plan; tension must also be brought out in the narration. While the bestselling books I critique almost always have tense narration covered, manuscripts often don’t. Let’s help … read more » 
I was hoodwinked by the marketing of Winter World. It says “International Bestseller” on the cover, and without thinking about it too hard, I assumed that meant this book was a bestseller. Only later did I realize it’s probably referring to the author, A. G. … read more » 
You’ve added lots of conflict to your story, but readers are still telling you it’s boring. What gives? Unfortunately, a number of different things can cause this problem. To help you troubleshoot, let’s go over some common reasons that tension might be missing. 
