by
Chris Winkle
While all rules can be broken, breaking them successfully takes a robust knowledge of storytelling principles. How do you know when breaking a rule is successful? In concept, that’s simple; you’re successful when you gain more from breaking the rule than following it. Of course, … read more »Podcast
by
Chris Winkle, Oren Ashkenazi and Wes Matlock
Which one of the hosts will turn out to be evil this week? Surprise, none of us are villains! Or perhaps we all are, since we threw in spoilers for Shield and Child of Light without any warning. How rude. This week, we talk about … read more »Storytelling
by
Oren Ashkenazi
Sometimes a trope starts off fine but is overused until it eventually becomes a cliche. That is not what we’re talking about today. Instead, we’ll focus on tropes that are bad to begin with but continue to be used for various reasons. These tropes will … read more »Inspiration
by
Oren Ashkenazi
Speculative fiction has a wide variety of settings, genres, and subgenres, and some get more attention than others. Space opera and European high fantasy have been the top dogs for decades, with up-and-comers like urban fantasy and steampunk taking most of what’s left. But there … read more »Storytelling
by
Chris Winkle
Storytellers can’t control the expectations their audience brings to a tale. After consuming countless stories where the male and female lead hook up, people will anticipate similar romances in future works. Unfortunately, defying expectations like these can make the audience feel like the storyteller broke their promises. Luckily, we have a solution for … read more »Inspiration
by
Chris Winkle
Today’s popular stories pick most of their heroes from the same narrow group of people, reinforcing destructive stereotypes and stripping characters of interesting variation. But storytellers get a silver lining: we have an easy opportunity to make our heroes stand apart by subverting convention. To get started, take some worthy people who … read more »Writing
by
Chris Winkle
Sitting before me is City of Bones by Cassandra Clare, the first book in the bestselling Mortal Instruments series. I don’t know anything about the story, but I can see on the cover there’s a guy thinking, Hello, my eyes are up here! Wait – … read more »Writing
by
Chris Winkle
In previous posts in this series, I discussed setting and meeting expectations for your story’s characters and plot threads. Now I’ll be discussing one last component: what I like to call a story’s worldview. Storytelling
by
Chris Winkle
Stories can end in countless ways, and no one can tell you which one is the right one. But these tricks can give your ending – whatever it is – some extra pizzazz. None of them will work for every story, but try them on. … read more »Analysis
by
Oren Ashkenazi
Discworld is an expansive fantasy series created by Terry Pratchett. It features a flat, disc-shaped world (who would have guessed) resting upon the backs of four enormous elephants standing on the shell of a giant turtle, the Great A’Tuin. It’s made up of multiple series … read more »
While all rules can be broken, breaking them successfully takes a robust knowledge of storytelling principles. How do you know when breaking a rule is successful? In concept, that’s simple; you’re successful when you gain more from breaking the rule than following it. Of course, … read more » 
Which one of the hosts will turn out to be evil this week? Surprise, none of us are villains! Or perhaps we all are, since we threw in spoilers for Shield and Child of Light without any warning. How rude. This week, we talk about … read more » 
Sometimes a trope starts off fine but is overused until it eventually becomes a cliche. That is not what we’re talking about today. Instead, we’ll focus on tropes that are bad to begin with but continue to be used for various reasons. These tropes will … read more » 
Speculative fiction has a wide variety of settings, genres, and subgenres, and some get more attention than others. Space opera and European high fantasy have been the top dogs for decades, with up-and-comers like urban fantasy and steampunk taking most of what’s left. But there … read more » 
Storytellers can’t control the expectations their audience brings to a tale. After consuming countless stories where the male and female lead hook up, people will anticipate similar romances in future works. Unfortunately, defying expectations like these can make the audience feel like the storyteller broke their promises. Luckily, we have a solution for … read more » 
Today’s popular stories pick most of their heroes from the same narrow group of people, reinforcing destructive stereotypes and stripping characters of interesting variation. But storytellers get a silver lining: we have an easy opportunity to make our heroes stand apart by subverting convention. To get started, take some worthy people who … read more » 
Sitting before me is City of Bones by Cassandra Clare, the first book in the bestselling Mortal Instruments series. I don’t know anything about the story, but I can see on the cover there’s a guy thinking, Hello, my eyes are up here! Wait – … read more » 
In previous posts in this series, I discussed setting and meeting expectations for your story’s characters and plot threads. Now I’ll be discussing one last component: what I like to call a story’s worldview. 
Stories can end in countless ways, and no one can tell you which one is the right one. But these tricks can give your ending – whatever it is – some extra pizzazz. None of them will work for every story, but try them on. … read more » 
Discworld is an expansive fantasy series created by Terry Pratchett. It features a flat, disc-shaped world (who would have guessed) resting upon the backs of four enormous elephants standing on the shell of a giant turtle, the Great A’Tuin. It’s made up of multiple series … read more » 
