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These days, many writers hope to create the immersive experiences they watch on a screen. Ironically, delivering the most immersive experience in writing depends on learning techniques that don’t exist in film. The narrative style writers need for this is close perspective. It’s not the … read more »
I’m working on a plot about two soldiers on the run trying to expose the corruption of a military organization. And to make it more realistic and get deeper into worldbuilding, I want to add a subplot about a journalist working on the same case … read more »
This post-apocalyptic YA novel by James Dashner spawned not only bestselling sequels but also a movie series. A bad movie series, I hear, but they star Dylan O’Brien (aka Styles), so how bad could they be? I think the cover art is gorgeous, but I’m … read more »
When we do a content edit, we focus on the big-picture stuff first. There’s no point in nitpicking small things that might be rewritten anyway. However, we do run into lots of problems at the wordcraft level. To help everyone improve their prose, let’s go … read more »
It can be challenging to tell readers everything they need to know through a character’s point of view, so why not ditch that confinement and use a narrator who knows everything? That’s called omniscient narration, and it’s what we’re talking about today. Joined by returning … read more »
Take note, listener: at the end of this podcast, Oren will ask Chris what her favorite example of dramatic irony is, and she will have no answer. It will be very embarrassing for Oren, and everyone will have a good laugh. There, now you’ll get … read more »
A typical story opens when a problem appears and moves forward steadily in time until that problem is resolved. This linear progression is popular for good reason. It’s easier for us humans with our puny three-dimensional existence to understand, and it keeps us guessing what … read more »
Many writers have a pet narrative technique they think is underused and underappreciated. For me, it’s epistolary writing. While this framing premise has its challenges, it can also be wonderfully creative and powerful. For those who haven’t tried it, allow me to give you a … read more »
We authors love putting multiple points of view in our stories. It’s just so tempting! Why struggle to show what this character is thinking on the outside when you could give them a POV? Why work so hard to construct a plausible way for the … read more »
I’m struggling a little bit when I want to add tension without drawing the character into it right then and there – for instance if my POV character was being stalked. I was wondering is there such a thing as adding “throwaway” POV’s. Read more »