One of the most common questions that comes up in writing is how to gracefully describe the point-of-view character. In limited perspective, the narration reflects what that character is thinking at some level. While it’s easy to work in description of other characters as soon … read more »
Character thoughts, huh, what are they good for? A whole lot, it turns out. But they can also be used poorly, and then they’re worth absolutely nothing. This week, we do a deep dive on how to narrate what’s going on inside the protagonist’s head. … read more »
Your narrative premise is the explanation for how your story is being told to the reader, and it sets expectations for how your narration will work. Your narrative premise can help you take advantage of different styles while avoiding changes that are off-putting. Read more »
Hey guys, so in my story I have several main characters, the problem being that one of them doesn’t do much until later on but I still want them to be involved. She is the heir of her father’s kingdom, but not really because, haha, … read more »
How do I convey a dazed character? I know it’s bad to confuse readers, but what if I want them to feel the hero’s confusion? If he experiences a sudden event too fast for him to process, like being hit by a car, or a … read more »
The Witcher book series, written by Andrzej Sapkowski and translated to English by Danusia Stok, started a popular video game franchise and now a popular TV show on Netflix too. I’ve seen the first season of the show, so that gives me some story context … read more »
Additional viewpoints are a valuable tool for storytelling, but they are drastically overused. Careless use of multiple viewpoints is so common that most writers would do better by using only one. However, since it’s obvious that writers won’t stop using extra viewpoints anytime soon, let’s … read more »
Many writers hope to create the immersive experiences they watch on a screen. Ironically, delivering the most immersive experience in writing depends on learning techniques that don’t exist in film. The narrative style writers need for this is close perspective. Read more »
I’m working on a plot about two soldiers on the run trying to expose the corruption of a military organization. And to make it more realistic and get deeper into worldbuilding, I want to add a subplot about a journalist working on the same case … read more »
This post-apocalyptic YA novel by James Dashner spawned not only bestselling sequels but also a movie series. A bad movie series, I hear, but they star Dylan O’Brien (aka Styles), so how bad could they be? I think the cover art is gorgeous, but I’m … read more »
