Plot

Podcast

131 – Throughlines

The Mythcreant Podcast

A throughline is the story’s core, the problem that opens in the beginning and concludes in the climax. Throughlines are essential for compelling stories, but many authors still struggle with them, so that’s what we’re talking about this week. We discuss why stories should open … read more »

Storytelling

Depicting Internal Conflicts

External conflicts are obvious to the audience and easy for storytellers to conceptualize. The hero either defeats the villain or they get beat; they either convince the jury or they are thrown in jail. But while these conflicts are usually the first thing that new storytellers reach … read more »

Storytelling

The Big Problem With Uncertain Endings

Basic story structure includes a problem at the beginning and a resolution to that problem at the end. But to make their work stand out, some storytellers reject the resolution. The romance ends without the audience knowing if the lovers will be together; the adventure ends with an undecided battle … read more »

Analysis

Six Changes to Improve Good Stories

Miller and Shaddid from The Expanse

Here on Mythcreants, we talk a lot about how bad stories could be improved, but good stories often leave room for improvement as well. That’s why Nick sent us this question. Have you considered doing an article along the lines of “X Changes that Would … read more »

Storytelling

Devising Conflict Between Protagonists

Conflicts within Team Good allow us to develop characters while adding excitement to scenes. However, most good guys have every reason to stay on good terms. Without a villain, it can be tricky to get them fighting. As a result, many protagonist conflicts rely on good guys that act out of character or manifest glaring new flaws. … read more »

Storytelling

Six Steps to a Subversive Surprise

A lady says farewell to a knight

Storytellers can’t control the expectations their audience brings to a tale. Unfortunately, defying expectations set by common story conventions can make the audience feel like the storyteller broke their promises. Luckily, we have a solution for this: the subversive plot twist. Read more »

Storytelling

How to Craft a Character-Driven Story

Lady Macbeth telling her husband what's what.

Some stories focus on big external conflicts to drive them and use a relatively blank protagonist as the audience’s vessel. But others try to make the protagonist as vivid as possible, trusting them to drive the story. The character has some intense desire or critical … read more »