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Hello, long-time reader third-time caller. I’m currently writing a fantasy series, and I’m struggling with the big bad of it. The basic gist of it is that in the backstory the big bad, a group of people on the moon, puts the plot in motion, … read more »
How can I avoid frustrating my readers when I show main characters struggling without getting anywhere? I have been thinking about the camping scenes in Harry Potter and the Deathly Hallows; they are super frustrating and unsatisfying to read, but maybe that’s the point? Maybe … read more »
Whether you’re avoiding violence, looking to switch things up, or just don’t like writing fight scenes, it’s useful to have options for important conflicts that don’t involve the hero maiming or killing something. To that end, let’s go over some likely contenders. With each option, … read more »
Storytellers love structures like The Hero’s Journey, the 15 beats of Save the Cat, or just the traditional three acts that both The Hero’s Journey and Save the Cat are built around. But time and again I’ve seen writers follow them and get a complete … read more »
Being a blockbuster juggernaut, Star Wars is where a lot of storytellers get their inspiration. Lots of writers want to emulate the trench run’s intense excitement or the emotional pathos of Luke confronting Kylo Ren on the salt planes of Crait. As such, today we’ll … read more »
Over the years, we’ve received many questions about how to plot multiple books. The answer is surprisingly simple: story structure is the same no matter the scale. However, reader expectations about story continuity do change a little when the story is broken into different books, … read more »
You’ve added lots of conflict to your story, but readers are still telling you it’s boring. What gives? Unfortunately, a number of different things can cause this problem. To help you troubleshoot, let’s go over some common reasons that tension might be missing. Read more »
Previously, we’ve taken apart Act I and Act II to see how they tick. Now it’s time to watch the film bring its three throughlines to an effective finish. When we left off, Dr. Horrible had decided to break his no-murder code to finish off … read more »
The principles we discuss at Mythcreants are actively at work in countless popular stories. That means if you’re still getting a feel for abstract concepts like tension or karma, you now have an excuse to watch your favorite movie and call it homework. Dissecting stories … read more »
Conflict is, as we never get tired of saying, critical to stories. It’s what creates stakes, tension, and satisfaction, what keeps us turning the page to see what happens next. But have you ever felt like you were reading the same conflict over and over … read more »