Over the years, we’ve received many questions about how to plot multiple books. The answer is surprisingly simple: story structure is the same no matter the scale. However, reader expectations about story continuity do change a little when the story is broken into different books, … read more »
One of the phrases that’s been popularized in online storytelling discussions in recent years is the “sexy lamp test.”* This test is applied to a female character to judge whether the storyteller has given her an adequate presence in the story. A character fails the … read more »
Writers often know where their stories start and end but draw a blank when it comes to all the stuff in between. And unfortunately, common plot structures like the hero’s journey aren’t as helpful as they seem. While they provide a rhythm of success and … read more »
I’ll admit it: my title is pretty sensationalist. But I can’t bring enough attention to this issue. When we’re hired to do content editing, 95% of the manuscripts we look at need significant work in this area. Before we look at their work, most writers have … read more »
Outlining can help storytellers plan their story, evaluate story structure, and save on revisions. If you’ve never outlined a story before, don’t fret; it’s easy to get started. Read more »
You have a flash of inspiration, but once you sit at your keyboard, that inspiration melts into a murky mess. You’re not sure where your story is going, only that it isn’t getting there. With each attempt at plotting, your excitement is whittled away. Finally … read more »
If you have lots of creative ideas and trouble organizing them, try using this framework to craft a short story. It isn’t the key to making every tale under the sun, but it should help you frame your central conflict, create a proactive character, and … read more »
Do you know which hooks are motivating your readers to continue? Each hook creates an open plot thread; readers are pulled in because they want to see them conclude. If you mix up your subplots or don’t close each one properly, you’ll end up with a cranky audience. Read more »
The words “conflict” and “tension” are casually thrown around in most discussions of storytelling, but they don’t mean exactly what they do in everyday speech. If you haven’t gotten a formal introduction to conflict and tension, here’s what you need to know. Read more »
New storytellers often have trouble telling the difference between “things happening” and “a story unfolding.” Without the ability to turn events into plots, there is no story, and audience will quickly become bored and spend their time elsewhere. Luckily, plots only need a few basic … read more »
