Drama is a cornerstone of storytelling. Even the most action-heavy violence-fests need an emotional core if they want to be more than a forgettable special-effects reel. We have a number of articles covering how to get the right feels in your story, from character arcs … read more »
The Witcher book series, written by Andrzej Sapkowski and translated to English by Danusia Stok, started a popular video game franchise and now a popular TV show on Netflix too. I’ve seen the first season of the show, so that gives me some story context … read more »
Melodramatic writing is a common mistake for writers. Most of us want our stories to have emotional impact, but if we don’t understand how that’s accomplished on a technical level, it’s easy to end up with purple prose instead. Let’s have a look at what … read more »
The old adage “show; don’t tell” is great advice for new writers. But with practice, writers can master many creative techniques that depart from standard showing. Evocative telling is one of those techniques, and it can add a lot to a story. Read more »
We’ve dissected the first chapters of terrible novels and great ones.* We’ve looked at entire short stories, and now I’ll kick it up a notch. I’m going to pit two books against each other in a battle to the DEATH! No, I’m not sure how a book … read more »
Wizard’s First Rule is the first book in The Sword of Truth series by Terry Goodkind. It’s massive, bigger than any other paperback I own. On the cover, a guy beckons to a woman wearing a dress that is clearly impractical for a walk in … read more »
I’ve never read Christopher Paolini’s Eragon before now, but I’ve heard it compared to both Star Wars and Harry Potter. I know I can expect a young male chosen one and (obviously) the dragon on the cover. Perhaps a dragon named Eragon, as that’s just … read more »
Throughout your story, your audience will cheer for your hero as she struggles against the villains. There will be many losses and gains, until it’s time for the final battle. You know your audience will leave satisfied if your hero knocks the bad guy out of the park. But what if you want her to fail? Read more »
