by
Chris Winkle
Character likability is generally created through three characteristics: sympathy, novelty, and selflessness. For a main character, I recommend aiming for at least two out of three, so not every protagonist needs to be selfless. However, selfish behavior counts against a character and can make audiences … read more »Storytelling
by
Chris Winkle
Nothing evokes emotion by default. Every bit of triumph or heartache has to be built up by the storyteller. So if you’re wondering why your big emotional scenes aren’t emotional to your audience, it could be because you’ve invested too little in the elements that … read more »Storytelling
by
Chris Winkle
Most stories are better with some interpersonal conflict. That means sooner or later, we’ll need to craft a jerk. But whether they’re an insufferable roommate, an antagonistic hottie, a harsh parent, or even a protagonist with some growing to do, it’s easy to make bad … read more »Storytelling
by
Chris Winkle
When skillfully done, jokes add a lot of novelty to both light and dark works. However, many storytellers have sacrificed their stories on the altar of comedy. If you’ve got a funny bone, watch out for these seven problems. Q&A
by
Chris Winkle
I’m interested in writing a female character who is “vain” (i.e. she knows she’s attractive and she spends a lot of effort and money maintaining that), but I want to portray it as a neutral trait or as only a mild flaw (e.g. maybe she’s … read more »Storytelling
by
Chris Winkle
If the audience can’t stand your main character, then they probably won’t get very far in the story. We call this critical factor a character’s “likability.” We’ve previously described how you can make your character likable by giving them sympathetic, selfless, and interesting traits. But … read more »Q&A
by
Chris Winkle
Dear Mythcreants, After getting frustrated by media stereotyping and belittling of female anger, I’m currently creating a female protagonist with anger as a deep motivating factor. Her arc centers on learning to harness her anger positively. The emphasis is very much on the management part … read more »Analysis
by
Chris Winkle
The principles we discuss at Mythcreants are actively at work in countless popular stories. That means if you’re still getting a feel for abstract concepts like tension or karma, you now have an excuse to watch your favorite movie and call it homework. Dissecting stories … read more »Q&A
by
Chris Winkle
Hello Mythcreants. Do you have any advice on how to make characters (villains or not) truly despicable? How to make sure they will be hated with a passion by the readers? Thanks in advance. Tom Analysis
by
Mira Singer
Do you want a story where the villain isn’t a mustache-twirling baddie who does terrible things just “for the evulz”? Instead, would you prefer a semi-sympathetic anti-hero antagonist who does terrible things for the greater good? Do you want your heroes to oppose the villain’s … read more »
Character likability is generally created through three characteristics: sympathy, novelty, and selflessness. For a main character, I recommend aiming for at least two out of three, so not every protagonist needs to be selfless. However, selfish behavior counts against a character and can make audiences … read more » 
Nothing evokes emotion by default. Every bit of triumph or heartache has to be built up by the storyteller. So if you’re wondering why your big emotional scenes aren’t emotional to your audience, it could be because you’ve invested too little in the elements that … read more » 
Most stories are better with some interpersonal conflict. That means sooner or later, we’ll need to craft a jerk. But whether they’re an insufferable roommate, an antagonistic hottie, a harsh parent, or even a protagonist with some growing to do, it’s easy to make bad … read more » 
When skillfully done, jokes add a lot of novelty to both light and dark works. However, many storytellers have sacrificed their stories on the altar of comedy. If you’ve got a funny bone, watch out for these seven problems. 
I’m interested in writing a female character who is “vain” (i.e. she knows she’s attractive and she spends a lot of effort and money maintaining that), but I want to portray it as a neutral trait or as only a mild flaw (e.g. maybe she’s … read more » 
If the audience can’t stand your main character, then they probably won’t get very far in the story. We call this critical factor a character’s “likability.” We’ve previously described how you can make your character likable by giving them sympathetic, selfless, and interesting traits. But … read more » 
The principles we discuss at Mythcreants are actively at work in countless popular stories. That means if you’re still getting a feel for abstract concepts like tension or karma, you now have an excuse to watch your favorite movie and call it homework. Dissecting stories … read more » 
Do you want a story where the villain isn’t a mustache-twirling baddie who does terrible things just “for the evulz”? Instead, would you prefer a semi-sympathetic anti-hero antagonist who does terrible things for the greater good? Do you want your heroes to oppose the villain’s … read more » 
