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Most principles of character likability work for a broad audience. But when a reader identifies with a character in your story, it can alter likability in ways that are difficult to predict. What’s more, every reader could identify with a different character, creating highly varied … read more »
Do you have advice for avoiding preachiness in your work? I assumed I had this problem because I like to write stories that teach and inspire and was getting too caught up in that motive. But I’m plotting a story with no teaching motive at … read more »
Character karma is a useful concept that helps us understand how to craft stories that are engaging and satisfying. While I’ve mentioned the concept in many other places, it’s overdue for a full article on the ways it affects our stories. First, what is character … read more »
Making your protagonist a relatable underdog is a great way to encourage your audience to bond with them. Unfortunately, it’s easy for this effort to go wrong. Instead of feeling sympathy for your hero, the audience might think your character is whiny and unpleasant. The narration … read more »
A good protagonist is active. They get out and do things to move the plot forward. But making a protagonist active is often more difficult than it sounds. Sometimes you get caught up in the “refuse the call” phase of the hero’s journey and don’t … read more »
If you’ve ever put down a story because you didn’t care what happened, there’s a good chance it was suffering from poor character likability. That’s our topic for this week, and we are joined once again by our excellent guest host Sarah. What is likability? … read more »
Some story elements cater specifically to the wishes of certain audience groups, and that’s what we’re talking about this week. Wish fulfillment can make a story more appealing to the target audience, but too much of it will drive away anyone else. What’s the right … read more »
Aha! You’re listening to this podcast, just as we always knew you would from all the subtle queues we’ve been giving you. Don’t you feel manipulated? Good, because this week we’re finally answering a question from a listener and talking about how to portray manipulative … read more »
A hero the audience loves is a critical ingredient in our stories. Unfortunately, liking the character yourself is no guarantee of audience attachment. To help a diverse array of people love your hero, give your protagonist some traits that are widely likable. Starting your story by demonstrating … read more »
Conflicts within Team Good allow us to develop characters while adding excitement to scenes. However, most good guys have every reason to stay on good terms. Without a villain, it can be tricky to get them fighting. As a result, many protagonist conflicts rely on good guys that act out of character or manifest glaring new flaws. … read more »