by
Oren Ashkenazi, Chris Winkle and Wes Matlock
Readers need to know things to understand your story. They need to know a whole bunch of things. But writing is a linear art form, meaning you can’t just download all the necessary info at once. So what are authors to do? That’s what we’re … read more »Writing
by
Chris Winkle
I went looking for something to critique that’s not YA, and I hit the jackpot with this #1 New York Times bestseller House of Earth and Blood by Sarah Maas. She’s had plenty of bestsellers previously, and this is the first of her new Crescent … read more »Storytelling
by
Becca Puglisi
Story openings can be difficult as authors struggle to introduce the protagonist, show them in their everyday world, hint at what’s missing, and begin the vital process of building empathy. And all of this has to be done in a way that doesn’t drag the … read more »Writing
by
Chris Winkle
Readers have a lot to learn during an opening, and somehow they have to learn it while being entertained. Doing that takes a careful, piecemeal approach. However, all the information readers need is often interconnected, making it difficult to figure out where to start explaining … read more »Q&A
by
Chris Winkle
I’m writing a story in first person, set in a world that has technology similar to ours, but also demons and magic (no masquerade). Magic is extremely limited in its use (which explains the need for tech), but is necessary to keep demons at bay. … read more »
Readers need to know things to understand your story. They need to know a whole bunch of things. But writing is a linear art form, meaning you can’t just download all the necessary info at once. So what are authors to do? That’s what we’re … read more » 
I went looking for something to critique that’s not YA, and I hit the jackpot with this #1 New York Times bestseller House of Earth and Blood by Sarah Maas. She’s had plenty of bestsellers previously, and this is the first of her new Crescent … read more » 
Story openings can be difficult as authors struggle to introduce the protagonist, show them in their everyday world, hint at what’s missing, and begin the vital process of building empathy. And all of this has to be done in a way that doesn’t drag the … read more » 
Readers have a lot to learn during an opening, and somehow they have to learn it while being entertained. Doing that takes a careful, piecemeal approach. However, all the information readers need is often interconnected, making it difficult to figure out where to start explaining … read more » 
I’m writing a story in first person, set in a world that has technology similar to ours, but also demons and magic (no masquerade). Magic is extremely limited in its use (which explains the need for tech), but is necessary to keep demons at bay. … read more » 
