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When we do a content edit, we focus on the big-picture stuff first. There’s no point in nitpicking small things that might be rewritten anyway. However, we do run into lots of problems at the wordcraft level. To help everyone improve their prose, let’s go … read more »
Pow, biff, ka-bam! That’s right, it’s time to talk about fight scenes. These are a staple of speculative fiction, and the movies make them look so easy! But anyone who’s ever written one knows that’s not the case, so today we’re discussing tips for making … read more »
Speculative fiction presents authors with a truly dazzling array of environments for their settings. This week, we talk about some of those wonderlands and what value they add to the story. From the spooky forests of New England to the cratered surface of the moon, we … read more »
The protagonist appeared in the doorway, dressed in a magnificent golden helm and with cerulean eyes shining fiercely. If something about that sounds a little cheesy to you, then you’ll be happy to hear that we’re spending this episode talking about character descriptions. Joined again … read more »
The old adage “show; don’t tell” is great advice for new writers. But with practice, writers can master many creative techniques that depart from standard showing. Evocative telling is one of those techniques, and it can add a lot to a story. Read more »
Refining your prose is a long process requiring practice and patience. This learning curve is even harder when you don’t know what needs to improve. These seven pillars of good prose can help you evaluate your work at the sentence level and give you something to strive for. Read more »
Some writing techniques seem so simple that we take them for granted. That is, until we have to use them ourselves. So I sympathized with Jo when she asked: I am a bit confused about describing spatial relationships in fiction. How close or how far away … read more »
Ariel, Chris, and Oren describe the difference between showing elaborate spectacle and simply telling what happens. They discuss how showing can invoke deep emotions and contemplate when telling is warranted. Listen to hear how writers enhance storytelling with showing and telling. Read more »
I’m about to open Battlefield Earth: A Saga of the Year 3000, published in 1982. It’s by Ron L Hubbard, the guy who founded Scientology. On the cover, a muscled barbarian dude simultaneously fires two laser guns to either side, while he willfully looks at … read more »
Sitting before me is City of Bones by Cassandra Clare, the first book in the bestselling Mortal Instruments series. I don’t know anything about the story, but I can see on the cover there’s a guy thinking, Hello, my eyes are up here! Wait – … read more »