by
Oren Ashkenazi and Chris Winkle
What happens in a story is one thing, but what does the story feel like? Some character deaths are gruesome, while some are slapstick comedy. That’s weird, right? This week we’re exploring how and why stories create their overall feeling, made up of things like … read more »Analysis
by
Oren Ashkenazi
When it comes to film adaptations of classic novels, people have, shall we say, strong opinions. A common refrain is that the movie is always worse than the book. Fortunately, that isn’t true. While plenty of film adaptations are indeed worse than their source materials, … read more »Analysis
by
Oren Ashkenazi
You might be tired of dark stories, I might be tired of dark stories, but, nonetheless, the dark stories just keep coming. Since that’s apparently the state of things, we might as well try to get dark stories right. Oversaturation aside, there isn’t anything inherently … read more »Storytelling
by
Chris Winkle
Some stories have an overall mood that’s light or even cartoonish, yet feature gratuitous slaughter and suffering. I’ve previously described stories with this type of tonal dissonance as “slathered in grimdark sauce.” While grimdark sauce makes a story feel immature, this isn’t a problem that … read more »Analysis
by
Chris Winkle
Most storytellers know they shouldn’t add slapstick to a tragic death scene or stuff explicit violence in a romantic comedy. That’s why I have only one article with tone guidelines. But recently I’ve noticed a spate of popular stories hindered by a bad tone choices. … read more »Storytelling
by
Chris Winkle
Many stories use the possibility that the hero will die to keep the story tense. But since heroes live through most life-threatening situations, it’s difficult to convince savvy audience members that your hero could meet their end. To get the drop on your audience, you’ll … read more »Storytelling
by
Oren Ashkenazi
Dark stories are very popular these days, and it’s not difficult to see why. They have several advantages over their lighter cousins, and not just because of swearing and violence. It’s easier to craft a high-stakes plot in darker stories because you can put more on … read more »Commentary
by
Chris Winkle
Some weeks ago, the makers of the Game of Thrones TV series, Benioff and Weiss, announced their next project. Titled Confederate, it will feature an alternate-history US where the South won the Civil War and slavery is still legal. In response, many social justice advocates … read more »Analysis
by
Chris Winkle
Many popular heroes have faced a dark version of themselves. This trope creates thrill in a video game battle or novelty in a TV episode about an alternate reality. However, some stories go beyond that, using a hero’s dark reflection to add meaning and depth to the work. By comparing the hero to … read more »Podcast
by
Oren Ashkenazi, Elly Bangs and Rhys Subitch
Elly and Rhys are back this week, once again joining Oren to keep the podcast on course. But this time that course is a dark and horrific one. Bodily horrific, to be precise. That’s right, we’re talking about body horror, mostly so that the hosts … read more »
What happens in a story is one thing, but what does the story feel like? Some character deaths are gruesome, while some are slapstick comedy. That’s weird, right? This week we’re exploring how and why stories create their overall feeling, made up of things like … read more » 
When it comes to film adaptations of classic novels, people have, shall we say, strong opinions. A common refrain is that the movie is always worse than the book. Fortunately, that isn’t true. While plenty of film adaptations are indeed worse than their source materials, … read more » 
You might be tired of dark stories, I might be tired of dark stories, but, nonetheless, the dark stories just keep coming. Since that’s apparently the state of things, we might as well try to get dark stories right. Oversaturation aside, there isn’t anything inherently … read more » 
Some stories have an overall mood that’s light or even cartoonish, yet feature gratuitous slaughter and suffering. I’ve previously described stories with this type of tonal dissonance as “slathered in grimdark sauce.” While grimdark sauce makes a story feel immature, this isn’t a problem that … read more » 
Most storytellers know they shouldn’t add slapstick to a tragic death scene or stuff explicit violence in a romantic comedy. That’s why I have only one article with tone guidelines. But recently I’ve noticed a spate of popular stories hindered by a bad tone choices. … read more » 
Many stories use the possibility that the hero will die to keep the story tense. But since heroes live through most life-threatening situations, it’s difficult to convince savvy audience members that your hero could meet their end. To get the drop on your audience, you’ll … read more » 
Dark stories are very popular these days, and it’s not difficult to see why. They have several advantages over their lighter cousins, and not just because of swearing and violence. It’s easier to craft a high-stakes plot in darker stories because you can put more on … read more » 
Some weeks ago, the makers of the Game of Thrones TV series, Benioff and Weiss, announced their next project. Titled Confederate, it will feature an alternate-history US where the South won the Civil War and slavery is still legal. In response, many social justice advocates … read more » 
Many popular heroes have faced a dark version of themselves. This trope creates thrill in a video game battle or novelty in a TV episode about an alternate reality. However, some stories go beyond that, using a hero’s dark reflection to add meaning and depth to the work. By comparing the hero to … read more » 
