by
Chris Winkle
The attitude here is that writers should tread lightly with marginalised cultures that they don’t belong to: don’t try it if you’re not fully prepared to research heavily, to accept insider input, and to give credit where it’s due. I agree with all of that … read more »Q&A
by
Chris Winkle
I’d like to know how to express that certain portions of dialogue are being spoken in a foreign language. So far I have handled this using italics, but my concern is that large sections of italics would be jarring to the reader. My protagonist is … read more »Q&A
by
Chris Winkle
Hello to everyone at Mythcreants, My question is about how to deal with semi-representative cultures – namely, those that deal with language. There are several countries in the world of my story whose people speak languages that are equivalent to real-life languages (The examples I … read more »Q&A
by
Chris Winkle
My main issue lies in alternate terms for “humanity” and “mankind” when humans don’t exist. my world is an Earth replacement in an alternate universe. I’ve taken time meticulously worldbuilding, even outside what I’d ever need for my story, just for my own enjoyment. … read more »Podcast
by
Oren Ashkenazi, Chris Winkle and Wes Matlock
Whether we call it the underworld, Hades, Hell, or some other name, fiction is full of the idea that there are other dimensions out there, and that they’re bad. At the very least, they’re the sort of places we avoid for as long as we … read more »Podcast
by
Oren Ashkenazi, Ariel Anderson and Chris Winkle
Most people enjoy music, but how should it be used in fiction? Is it okay for authors to put song lyrics directly in their prose, and if so, how much should they use? What about using songs as a plot device or just to set … read more »Worldbuilding
by
Oren Ashkenazi
Building the history of your setting is a tricky business. It’s something even great authors struggle with, from Rowling to Tolkien. So it’s no surprise that Adrienne asked us this question: How do you create interesting histories for fictional worlds, whether they be fantasy or … read more »Worldbuilding
by
Oren Ashkenazi
Fantasy settings are usually some version of history with extra elements added. Those extra elements may be dragons, magic, firearms, or all of the above. Whatever’s added, it will change the setting in ways authors don’t always consider, which is why Brady sent us this question: … read more »Podcast
by
Chris Winkle, Oren Ashkenazi and Wes Matlock
This week we address a listener question: How do you depict post-scarcity societies? This is hard since there haven’t ever been any post-scarcity societies to use as examples, but we’ve never let that stop us. Chris raises deep questions about what government and private property would … read more »Worldbuilding
by
Chris Winkle
One of the most common mistakes in worldbuilding is treating culture like it’s arbitrary. Clothing styles, gender roles, and religion are decided as though they just popped out of the ether one day. In reality, few aspects of culture are arbitrary; most are the result of … read more »
The attitude here is that writers should tread lightly with marginalised cultures that they don’t belong to: don’t try it if you’re not fully prepared to research heavily, to accept insider input, and to give credit where it’s due. I agree with all of that … read more » 
Whether we call it the underworld, Hades, Hell, or some other name, fiction is full of the idea that there are other dimensions out there, and that they’re bad. At the very least, they’re the sort of places we avoid for as long as we … read more » 
Building the history of your setting is a tricky business. It’s something even great authors struggle with, from Rowling to Tolkien. So it’s no surprise that Adrienne asked us this question: How do you create interesting histories for fictional worlds, whether they be fantasy or … read more » 
Fantasy settings are usually some version of history with extra elements added. Those extra elements may be dragons, magic, firearms, or all of the above. Whatever’s added, it will change the setting in ways authors don’t always consider, which is why Brady sent us this question: … read more » 
One of the most common mistakes in worldbuilding is treating culture like it’s arbitrary. Clothing styles, gender roles, and religion are decided as though they just popped out of the ether one day. In reality, few aspects of culture are arbitrary; most are the result of … read more » 
