Turning points are essential to crafting conflicts that feel emotionally rewarding to audiences. Unfortunately, they are a “secret” pretty literally, because while they are used in stories everywhere, Mythcreants seems to be the only source giving them more than a cursory mention. That’s probably why … read more »
Whether you’re avoiding violence, looking to switch things up, or just don’t like writing fight scenes, it’s useful to have options for important conflicts that don’t involve the hero maiming or killing something. To that end, let’s go over some likely contenders. With each option, … read more »
You’ve done the work of adding sword fights, epic battles, and dramatic arguments. Your characters always have something they want, no matter how minor the scene. And yet, you’re still having difficulty making readers care. Congratulations, you’re having difficulty making your conflicts matter, and you’re … read more »
You’ve added lots of conflict to your story, but readers are still telling you it’s boring. What gives? Unfortunately, a number of different things can cause this problem. To help you troubleshoot, let’s go over some common reasons that tension might be missing. Read more »
Conflict is, as we never get tired of saying, critical to stories. It’s what creates stakes, tension, and satisfaction, what keeps us turning the page to see what happens next. But have you ever felt like you were reading the same conflict over and over … read more »
Stories need problems to solve and heroes to solve them, which sounds simple enough at first. But then you realize that in most settings, there are authorities whose job is to stop these problems. They might be police officers, teachers at a magic school, or … read more »
It can be tricky to take a protagonist from blissfully ignorant to embroiled in a tense conflict between secret factions. That’s probably why I’ve encountered many manuscripts where a mysterious kidnapping or murder takes place and then a mentor shows up and tells the hero … read more »
Conflict between characters is a vital tool of storytelling, but it can also be tricky, especially when both characters are on Team Good. Authors often have difficulty constructing conflicts where neither character is obviously at fault, or they have difficulty dealing with the implications when … read more »
Writers often know where their stories start and end but draw a blank when it comes to all the stuff in between. And unfortunately, common plot structures like the hero’s journey aren’t as helpful as they seem. While they provide a rhythm of success and … read more »
So I have a novel I want to write that takes place over the course of a year (and a day). The problem is that it’s a character-driven piece; while there are some specific events that occur and link up, the focus is more on … read more »
