Characters

Writing

How to Use the Uncanny in Your Writing

A hand with all of the fingers the same length. Eye whites that aren’t white. Seeing a stranger in the mirror. A subtler cousin of horror, the uncanny is more about discomfort than fear. Sigmund Freud* described it as, in greatly paraphrased form here, making … read more »

Analysis

Five Surprisingly Successful Characters and Why They Work

Boba Fett from Star Wars

At Mythcreants we’ve previous discussed characters who were too unlikable, too isolated, or just disappointing. Some had too much candy or too much spinach, terrible motivations, or too much candy again. But believe it or not, we occasionally run into characters that impress us. Let’s go over some characters that were … read more »

Analysis

Seven More Characters With Too Much Candy

Captain Jack with a big gun.

Candy and spinach are important concepts because they describe two critical elements of character likability. Candy is anything that glorifies a character. This includes cool powers, defeating a major bad guy, being right in an argument, and anything else that makes them look cool to the … read more »

Q&A

How Do You Handle Protagonists Who Kill?

questions and answer talk bubbles

I don’t think it’s controversial to say that killing is abhorrent. But in my novelette series, particularly the latest story, there is a great deal of cultists to be killed. I don’t particularly want to dive into the protagonist’s slow mental breakdown at the horror … read more »

Q&A

What’s the Purpose of a Sidekick Like Heihei?

questions and answer talk bubbles

Thinking through hero’s journey and story archetypes (newbie here!) and was watching the recent Pixar movie Moana. My question is, what do you see as the function of or reason for a story to choose a relatively inanimate/neutral sidekick like Heihei (Moana’s chicken, that, though providing some … read more »