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The latest Star Wars trilogy is what happens when two directors get in a slap fight and the production company does nothing to stop them. Left with nowhere to take the last movie, J.J. Abrams strung together a plot that’s best described as “let’s make … read more »
One of the phrases that’s been popularized in online storytelling discussions in recent years is the “sexy lamp test.”* This test is applied to a female character to judge whether the storyteller has given her an adequate presence in the story. A character fails the … read more »
Additional viewpoints are a valuable tool for storytelling, but they are drastically overused. Careless use of multiple viewpoints is so common that most writers would do better by using only one. However, since it’s obvious that writers won’t stop using extra viewpoints anytime soon, let’s … read more »
Candy and spinach are two of our most important concepts here at Mythcreants. Candy is anything that makes a character look cool or otherwise glorifies them. Conversely, spinach is anything that humbles a character or takes them down a peg or two. The best characters … read more »
In my story, the main antagonist is a being that feeds off of negative emotions. However, I don’t want to make it seem like everyone has to be happy at all times or that it is not okay to feel upset, angry, etc. I want … read more »
Hello, I had a writing-based question I hope you would be able to answer. I’m writing a book in which I feature several characters from the public domain. The setting will not be the original setting that any of the characters are from. I want … read more »
Every member of Team Good should help save the day. But the larger your ensemble cast is, the trickier it can be to make sure everyone is contributing. When a protagonist doesn’t pull their weight, they end up feeling superfluous at best and annoying at … read more »
Sometimes, the reactions we assign to characters in the outline stage don’t feel natural when written out. In these cases, it can be difficult to judge whether planned character behaviors are unrealistic or the storyteller just isn’t in the right mindset. Since character choices can … read more »
In a book I am currently writing, the fictional society has moved beyond any kind of transphobia, so being transgender is not treated as being anything out of the ordinary. Given this, I am wondering how to show that a character is transgender if it … read more »
This is very specific, but what do I call the protagonist’s parents in narration? For example, my story is in third-person limited and my hero’s mother has just entered the scene. Do I refer to her as ‘her mother,’ ‘mum,’ ‘her mum’ or by her … read more »