Writers really love turning their characters from evil to good or from good to evil, so it must be easy, right? Not according to the nerds hosting this podcast. Listen as they debate which transitions worked well, which ones didn’t, and talk a lot about Zuko. Mostly … read more »
Many storytellers are intimidated by including a diverse cast in their stories, not just because they know little about other groups, but because the stakes are so high. That’s why questions like Sarai’s are common: In a historical setting, or a world where not much is known … read more »
People are flawed, complicated, and strange, but heroes are often simplified and put on pedestals. We don’t need to make everything dark and gritty, but pretending that humanity is spotless limits our stories. That’s where anti-heroes come in. They subvert heroic stereotypes; rather than a selfless white … read more »
Do you need your audience to like a character who kicks dogs, swindles orphans, or is just a big jerk? You have a variety of options to choose from, and the more you choose, the more likable your character will become. To bestow your threatening … read more »
Unfortunate events can cling to us like shadows. By inking in these shadows, storytellers can shine light into the deep recesses of their characters and offer hope to the audience. A tale with a haunting past opens a window to renewal. Read more »
Using the right viewpoint character can give your story a big boost. But all too often, writers choose viewpoint characters that turn their narration into an uphill battle. Whether you’d like to supplement your hero’s viewpoint with visits from side characters, or you’re unsure of … read more »
Creating good villains is difficult. Any character needs personality, motives, flaws, and agency, but villains also have to be threatening or relatable. By analyzing bad examples like these, we can learn what to avoid. Read more »
Everyone loves a character who solves their problems with brains instead of brawn. We want our characters to figure out the solution to an intractable problem at the most dramatic possible moment! But if you’re not careful, your solution might come off as cheap or unrealistic. Read more »
Character depiction is never simple. Even when the storyteller writes the hero’s entire life story and maintains a psychological profile, audiences may interpret the protagonist in an unexpected way. This disconnect causes many of the character issues we see again and again. Read more »
Chris, Oren, and Mike discuss how to craft villains that the audience can relate to. They describe different types of sympathetic villains, weigh the pros and cons of making villains relateable, and dissect examples of from popular media. Then they rejoice as Oren finally admits … read more »
