Should You Outline?

There are few greater slug matches between writers than the debate over using an outline to plan a story. The line is drawn firmly in the sand, with “planners” on one side, and “pantsers” on the other. Each side has big names claiming their way is the only way. So if you’re not already on Team Plan or Team Pants, how do you know which method is the right one?

What the Debate Is Actually About

The disagreement between Team Plan and Team Pants stems from different approaches to writing:

Writing as a Skill vs Writing as an Art

Some writers think of writing as a skill that is intellectually learned and understood. Stories are things to be analyzed and broken down into plot structures and character arcs. These writers are good at handling abstract concepts, and they write in a cerebral manner – every part thought through carefully and written intentionally.

Other writers think of writing primarily as an art. At some level, it will always be mysterious and unfathomable. Instead of intellectually understanding what they’re doing, they pay attention to their gut. They let inspiration be their guide as they create works that feel right to them. When forced to deal with abstractions of their work instead of the real thing, their gut may not give them the signals they need, leaving them dead in the water.

Writing as Problem Solving vs Writing as Dreaming Big

Some writers operate as creative problem solvers. They like to find solutions while working under constraints. If you tell them to “paint something,” they’ll be paralyzed by indecision, but if you tell them to “paint a flower,” they’ll get right into it, applying their creative energy to choosing the color of the flower and the shape of the petals.

Other writers feel shackled by constraints. To these writers, there is nothing more inspiring than a blank page. They want the freedom to put down whatever they dream up. When that freedom is taken away, they’ll probably slow down and their work might feel forced.

As you might have guessed, writers on Team Plan are generally problem solvers who approach writing as a skill, and writers on Team Pants are generally dreamers who approach writing as a art. This rule won’t hold true for everyone, and most of us stand somewhere in between, but knowing where you fit on these scales can help you find the best process for you.

So keeping those differences in approach in mind, let’s look at what outlining can do for you… and what it can’t.

The Benefits of Outlining

There are good reasons why Team Plan loves to outline:

It Saves Time

Outlining before you write could shave months, or even years, off of your completion time. If you create a ten page outline and get feedback before turning it into a 500 page novel, you can catch problems and make fixes with much less effort. Imagine if instead of rewriting the first 250 pages of your novel to fit your new twist ending, you just rewrote the first five pages of your outline.

It Aids Analysis

It’s hard to see the structure of your story when you’re down in the weeds of the narrative. Outlines provide a bird’s eye view that lets cerebral writers evaluate and improve the story’s structure. With the right tools, individual scenes in the outline are easily labeled, separated into groups, and then recombined back into the outline as a whole. That way, writers can focus on a single plot strand or an ongoing theme in their work, without the rest getting in the way.

It Provides Prompts

Remember that some writers prefer to be creative under constraints. For them, outlining breaks the creative process into manageable steps. First they can concentrate on the structure of the story without worrying about the details; later they can focus on the details without worrying about the overall structure. The blank page seems much less daunting if they have some idea of what needs to go on it.

The Limitations of Outlining

But there are some problems with planning that cerebral writers often ignore.

It Doesn’t Fix the Story

Outlining is a tool for writing good stories, but it won’t in itself make you a better writer. In fact, writing and evaluating an outline takes about as much skill as writing and evaluating a draft. Unless you have a strong grasp of basic storytelling concepts or an editor to review your work, you’ll write a terrible outline, then make a terrible draft from it. Then you’ll have to rewrite 250 pages after all.

It’s One Step Removed From the Narrative

The outline is a representation of the story, not the story itself. That can make it difficult for some writers to work with. The representation may not give them an accurate feel for whether the plot is headed in the right direction, or if the hero is acting in character.

This is particularly problematic for writers who develop their world and characters as they write the narrative. To make a strong outline, it’s essential to have a feel for these elements first. That’s why writers who plan their work use exercises to flesh out their characters and world ahead of time, or at least alongside their work on the plot. But once again, these exercises are a degree removed from the story.

It Reduces Flexibility

Outlines have to be treated like drafts – they might be revised 20 times before they are perfected. A scene in the outline might look like a great twist when zoomed out, but once on the page, it could feel far-fetched. Instead of stopping to make revisions, planners can be tempted to ignore these problems. Alternatively, they might miss opportunities for positive changes to the story, because it wasn’t part of their outline. A meticulous plan is difficult to let go of.

Choosing the Right Team

Whether you should outline depends on your writing goals, as well as your individual strengths and weaknesses.

Becoming a Better Writer

Outlining fits the traditional method of learning. Just as you probably learned grammar in your English class by talking about subjects, objects, and verbs, writers are usually taught to become better writers through learning to recognize plot structure and narrative arcs. Outlining strips stories down to the skeleton, allowing writers to see that conceptual framework.

But if that’s a struggle for you, it’s possible to hone your storytelling intuition without turning to a cerebral approach. The key is reading – a lot. Read good books. Occasionally, read some amateur works just to compare. Most of all, read works you wouldn’t mind emulating, because for gut writers especially, style can rub off.

Saving Time

If done right, outlining can save loads of time. But you need to do your homework first; have your characters and world down pat before you begin. Then make sure to capitalize on the advantage outlining gives you by getting frank feedback on it from someone knowledgeable.

If outlines and exercises slow you to a crawl, but you can rapidly fill up those blank pages, it might be better to work with a draft. Instead of outlining, save yourself time by writing to the end before you revise; you could change your mind about the direction of your story several times.

Improving Your Tale

Outlining provides clear benefits to those who want to review their story. If you’re having trouble connecting to your outline, try imagining your scenes in more detail as you read through them. Even if you need that blank page for inspiration, you can write your draft first, and then create your outline afterward. The outline can help you find problems and sort out the changes you need to make. Alternatively, some writers just use the first draft to develop the characters and the world. After they’re done, they scrap it altogether and write an outline. Then they write a fresh draft from their outline.

Once you stop outlining and start writing, remember that your outline is not final. If you find a major flaw or opportunity while writing your draft, you should stop and update your outline before proceeding. If you end up doing this regularly because of flaws you find, you should go back to the pre-outline homework.

Writing is a long, laborious process. Successful writers pay attention to what makes them feel productive, inspired, and insightful. If outlining does that for you, then great! If not, don’t feel guilty about leaving it out – no matter how many big names tell you it’s essential.

P.S. Our bills are paid by our wonderful patrons. Could you chip in?

Read more about ,



  1. Linda Maye Adams

    I don’t think the post really gets what the debate is actually about. It’s actually that outliners don’t understand pantsers; and pantsers get sick of being told they need to outline because the outliners don’t understand how they write.

    I’m pantser. I’ve tried outlines and they don’t work for me. When I’ve mentioned that elsewhere, the outliners jump all over me, telling me that I must not have done the outline right or that I need a different one. They NEVER say that may be I might not be an outliner. It’s very frustrating for the pantser to even get information on how they write, because everyone assumes outlining and that somehow you’re just this weird person who hasn’t figured out they need to outline yet.

    I write like I read. I just discover the story as I write it. Nothing more, nothing less.

    • Cay Reet

      I give myself some notes on the story, a short sentence or a catchphrase per chapter … apart from that, I discover the details as I write. Makes editing a bit more of a chore, so I can get all the mistakes and flaws out, but it’s the best way I work.

    • Chris Winkle

      Pantsers will also sometimes tell outliners they are wrong, actually. Both sides are guilty of insisting their process is the only process.

      I think there is a lot more material out there for outliners because it’s just easier to teach. It has steps that anyone can repeat, the discovery process is much more personal and nebulous. I do some stories by careful planning and outlining, and others just bloom in my mind. I can instruct people how to plan their story, but I can’t instruct them how to make stories occur to them spontaneously. The best I can offer for that is a few loose ideas about where they might find inspiration.

  2. Brigitta M.

    Then there are people like me who are neither meticulous planners nor do we have the nerve to write a novel with nothing but a blank page. Every time I see something like this article I always end up with the answer “Well, yeah, but not really.”

    I don’t need to plan out short stories, but novels are another beast. I see writing as neither science nor art, but as a craft which requires a mix of both.

    What does this make me? I use the term “prepper” which means I prepare a bit, but give a lot of elbow room for things I really don’t like planning for… or can’t because who knows what characters will actually do when their back is to the wall?

    So a loosey-goosey outline and a general direction as to where the story is going to end. No major plot twists unless it’s something that came with the original package of the idea (“What if zombies could defeat you by hypnotic dancing?” Yeah, not one of my better ideas, but that’s part of outlining too). 50-100 scene-like things such as “FMC meets mentor” pfft don’t know how they’re going to do it, but it’s a small town and they’re bound to bump into each other at some point. While writing the story I may discover that FMCs fridge is empty and she has to go grocery shopping. Oh look, there’s the mentor because plot and then slip in something later about how the mentor always goes grocery shopping on Tuesday afternoons.

    It’s that kind of back and forth thing I do. Push and pull. Neither planner nor pantser, but whatever, it gets done and I’m just as miserable-happy with the result as the next writer.

    • Kat

      You’re a plantser!

  3. Cay Reet

    My problem is not that I can’t outline. I have a couple of outlined stories sitting on my computer. My problem is that once I have written a detailed outline, I can’t write the story. It becomes impossible for me to make my way from one point to the next. I just can’t do it, it’s a chore, whereas writing with a certain idea where to go, but not a finished outline, is interesting and an adventure.

    However, once the story is ripe in my head (what might be the equivalent for me to a full outline for a planner), I can write up to 6,000 words (roundabout two chapters) of a story a day, 24/7. I have written three stories in two months for one of my series. I mean three full-fledged novels with over 60,000 words each. So my middle ground, as I write a short sentence or something like it per chapter when I prepare the file for a new story, does seem to work for me.

    • Circe

      What is your secret?! I’ve been working on my novelette for eight months by now, alongside school, and I’m a pantser!

      • Cay Reet

        I’m not sure … the story usually grows in my mind and I know what to write. I sit down, knowing what should be in that chapter, then I write the chapter. Working in full chapters does have an advantage, because beginning each writing day is the hardest part and beginning with a fresh chapter, a fresh page, is easier than trying to finish a scene you’ve started the day before.

        I have, however, started to do more outlining recently, using the timeline function of Campfire Pro. I write a few sentences per scene, group them to a chapter, and then I look at my notes and turn them into written words. It works for me now, so, perhaps, I had to ‘graduate’ to it.

        I can also write full-time, which does give me an advantage. By now there have been some changes to my life and I don’t quite write as much at once, but I’ve also grown more disciplined and write more regularly and with a good backlog of stuff to write on my computer.

  4. Tifa

    Is there a category for people who outline a lot but then let the story evolve, change, and work itself out during the actual writing process? I do that.

    • Cay Reet

      I think a lot of people do that. I don’t, since I’m a discovery writer and don’t do much more of an outline than a few words per chapter, but for those who outline, there’s a lot of reasons to change plans during the writing and thus change the outline as the story evolves in another reason.

    • Oren Ashkenazi

      Yeah it’s a scale for most people. On the far discovery end, you have the folks who just free write without planning anything, and on the far outlining end you have folks who create a detailed outline, then stick completely to it for the entire draft.

      Very few authors are at either end, and while we’ve found a lot of people can benefit from more outline, it’s fine to maintain flexibility.

  5. Cay Reet

    I want to point out that what works for you can change severely over time. I used to be a discovery writer who never got anything done she’d planned out beforehand. I couldn’t sit down and write a story from an outline. By now I’m what I call a discovery plotter (I discover the details of my story as I plot the scenes) and I’ve recently found out that I can’t really ‘just write’ any longer, but need some plotting to get my story off the ground.

    The answer to ‘should I outline?’ is not set in stone, therefore, but can change over time.

Leave a Comment

Please see our comments policy (updated 03/28/20) and our privacy policy for details on how we moderate comments and who receives your information.