A Character Goal Isn’t a Story – But It’s Close
This common model for stories can be helpful, but it can also hold writers back.
Articles: Page 2
Who Wins: The Mandalorian, Boba Fett, or Obi-Wan?
Which show is the Force strong with?
Lessons From the Appropriative Writing of Gemma Doyle
An opening set in occupied India. What could go wrong?
Five Stories With Clashing Choices
Like a tug of war in the plot.
How You Can Tell Kamala Khan Has ADHD
A tale of coding so blatant that calling it coding is questionable.
Six Sloppy Character Arcs in Popular Stories
What lessons are we supposed to learn here?
Understanding Character Karma
Every story we tell sends a message.
The Myth of Conflict-Free Story Structures
One weird trick vs. storytelling reality.
How to Write a First-Person Retelling
Both practical and fun, this narrative premise is a great choice for many stories.
The Three-Act Structure Is a Mirage
A structure no stronger than a sand castle.
How to Make Your Character Novel
Novelty isn't easy, but it's the quickest way to make an impression.
Who Wins: The Martian, Artemis, or Project Hail Mary?
One author enters, one author leaves.
How to Make Your Character Selfless
It requires more than showing your hero rescuing a cat from a tree.
Six Important Story Elements Introduced Too Late
Would have been nice to know about this in advance.
How to Make Your Character Sympathetic
A character with genuine hardships will get audiences emotionally invested in the story.
The Difference Between Relatable and Mediocre Heroes
Only one of them is a good choice for your story.
How to Create Moral Dilemmas That Are Actually Moral
Moral dilemmas should be meaningful, not just provocative.
Four Supporting Characters Your Hero Can Learn From
They teach a lesson your hero won't soon forget.
The Four Ways to Create a Bittersweet Ending
Character karma doesn't stop us from creating complex and nuanced stories.
How Useful Are Pixar’s Rules of Storytelling? Part 2
Emma Coats strikes again!
Oren Ashkenazi