Five Wish-Fulfillment Characters

While we don’t always talk about it, we all love our daydreams. So naturally, some stories are designed to let us live our fantasies through the protagonist. There’s a little wish-fulfillment in any good story, but these go above and beyond, crafting every scene to shower the hero with as much glory as possible.

When we think a glorified hero is an avatar for the storyteller, we call her a Mary Sue. Or often in the case of male avatars, Marty Stus. You’d think that Mary Sues and Marty Stus would be recipes for fun times all around, but it’s just the opposite. They are hated so much that their names have become slurs against stories and storytellers alike. Any character that looks like she could be Mary Sue’s cousin’s mother’s brother’s sister is assaulted with jeers and accusations.

The problem is that our fantasies are all different. One person wants to have a whirlwind romance with the Doctor, another wants to tumble a random hottie off the street. On top of that, the audience can’t live the fantasy unless they identify closely with the protagonist. To be successful, wish-fulfillment stories have to desperately cling to common fantasies among a specific demographic.

What wish-fulfillment characters tell us about our dreams, particularly dreams assigned to specific groups, is interesting, but also unsettling. Take these five characters for example:

1. Bella Swan From Twilight


Bella is probably as close to a Mary Sue as characters in big budget works get. Mary Sues tell us that women are considered worthy if they receive outside validation. They are magnets for the attention and adoration of the other characters. They are often passive characters – if they do get a piece of the action, it’s so others can look on and admire them.

And just to prove how little their own happiness matters in comparison to what others think of them, Mary Sues frequently die. The storyteller will try to frame it as a tragedy, but really it’s an excuse to give her even more validation. The others characters will respond to the death by dramatically weeping over her body and crying that she was right all along, if only they’d just listened to her.

Bella isn’t really described in the book, but her name means “beautiful swan,” which is like saying “beautiful beauty.” Mary Sues are always beautiful, how could they get enough validation otherwise? And Bella’s story is centered around receiving validation. If Edward’s attention isn’t enough, there’s also Jacob to vie for her. While Bella doesn’t die, she comes close, and it gives her a boost in validation – Edward hears about it and comes back.

However, Bella is still missing the sugar overdose that marks a character designed just for wish-fulfillment. Her complaints about her life, which seem petty to some, are meant to express that her days aren’t made of fantasies. Her story is one of a normal girl who becomes special, while Mary Sues start special and stay there.

Bella is a big success because of her power combo of relateable ordinariness, followed by wish-fulfillment. However, she’s still a very divisive character – it’s hard to say whether more people love her or hate her. Those who don’t dream of having a dark, handsome, protector/stalker are repulsed by the story.

2. Riddick From… Riddick


Riddick is a classic Marty Stu. The factory-made male fantasy isn’t like his passive female counterpart; he’s a man of action. His enemies fear him, women want to sleep with him, and he has lots of fancy gear to advertise his high social status. He frequently indulges in the simple pleasures life has to offer, for his own enjoyment.

While Marty Stu also gets outside validation, it is vitally important that he doesn’t care about it. He’s a strict loner, he impresses people by pure accident, and he rarely needs help. In fact, he never has emotional relationships with anyone. If he does fall in love with a woman, he probably still won’t open up to her, and later she’ll die as an excuse to do violence against those who killed her. Any other important allies he meets along the way will be parted from him before the end.

Riddick is glorified as much as he can be. He’s the last member of a warrior race, providing an explanation for why he’s alone. To make sure no one forgets how important he is, there’s a prophecy about him defeating a big bad. But he’s not a hero; he has a full-time job getting in badass fights and brooding. Unless some heroic action is called for in the plot. Then he’s a hero. He also has special eyes – a hallmark of wish-fulfillment characters. I mean, if you were going to design the coolest character ever, wouldn’t you include glowy eyes? And he doesn’t wear those cool-looking goggles to impress people, oh no, his glowy eyes are sensitive to light – it’s a necessity!

Riddick debuted in the movie Pitch Black, but none of the characters in Pitch Black did anything as ridiculous as calling him “The Riddick.” His sugar-coating was added when Vin Diesel, the actor who plays Riddick in the movies, took partial ownership over the story. A character with broad appeal quickly became a Marty Stu for an actor/producer. It’s probably not a coincidence that the movies after Pitch Black were less successful. But like Bella, he has a core fan group rooting for him.

3. Johnny From The Room


If you’ve seen the famously bad film The Room, you’ll know that the main character, Johnny, is a Mary Sue. No, not a Marty Stu. He’s not an action hero who rescues damsels and shows them his gadgets. Instead, he exists to be loved and admired by every other character. There’s even a troubled teenager who is put in the movie for no other reason than to be his project.

There is only one character who has anything bad to say about him – his traitorous financée. Everyone she talks to, including the man she is cheating with, tells her Johnny is a wonderful person and she should be good to him.

In the end, Johnny dies to become a martyr of goodness – and of course for more attention. The financée, best friend she cheated with, and random project kid all weep over his dead body.

I wish I could say that The Room is a gender-liberating romp, but it’s very sexist, misogynist even. And it was only made because writer/director/lead Tommy Wiseau somehow got his hands on six million dollars. Along with the basic art of writing, acting, and filming, he didn’t understand that his fantasy wouldn’t have mass appeal. Then he got lucky when it turned out to be so terrible it was great.

4. Violet From Ultraviolet


Superficially, Violet looks just like a Marty Stu, complete with a husband in the fridge as an excuse for violent revenge on huge numbers of people. She’s not the last of a warrior race, but she is a member of a threatened group of genetically enhanced super people, who are also vampires. That is, if you remove all of the downsides of being a vampire, like aversion to sunlight, garlic allergies, or that inconvenient need to drink blood from people’s necks.

In the movie, she alternates between saying silly lines just to emphasize how badass she is, and killing ridiculous numbers of people with insufficient weaponry. She also comes in a variety of colors that change before your eyes! Why? Cause, you know, vampire virus technological advancement stuff.

Despite her Marty Stu mold, Violet does end up with an important relationship. She meets a dying boy while on her quest, and decides to stick with him. Of course, he’s partly an excuse for Violet to kill people who threaten him. Despite her loner status, a series of convoluted explanations and the power of Violet’s tears allow him to escape death.

Ultraviolet was a creation of Kurt Wimmer, the same man who created the cult hit Equilibrium. Rumor has it that he didn’t intend for Violet to be a heartless lone wolf. An earlier version of the film actually focused more on Violet’s reluctance to join the resistance she fights for, and her desire for family. Then the production company cut an entire half hour out of the movie before its theatrical release, and what was left of her was a cold killer.

Ultraviolet was a huge flop, largely because the script was really bad. While it could have been better written while retaining Violet’s Marty Stu characteristics, it generally takes a poor writer to create characters with that level of wish-fulfillment in the first place. Not that it’s impossible for these characters to be successful, but experienced writers avoid risks like that.

5. Wesley Crusher From Star Trek: TNG

Wesley Crusher

Who does a kid dream of being? Wesley Crusher of course – the boy genius. Child wish-fulfillment means being ridiculously good at schoolwork, and of course, showing up adults. Wesley has school projects that involve creating intelligent life in the form of dangerous nanites and grasping the relationship between space, time, and thought. He warns the crew about catastrophes they haven’t foreseen – which they ignore just to make him look better. Then there was that time he put up a forcefield around engineering, effectively taking over the ship.

Child wish-fulfillment characters like Wesley aren’t as common as their adult counterparts. This is probably because kids don’t write as much, and when they do it rarely becomes well known. When we see them, they are generally an idealized version of the storyteller’s younger self.

Supposedly, Wesley Crusher was a young avatar for Gene Roddenberry, the original creator of Star Trek. Everyone found the character incredibly annoying, and right around the time Roddenberry became less involved in the show because of his declining health, Wesley was put in a shuttlecraft and sent away.

While the vast majority of kid genius characters are boys, there are girls as well. J.K. Rowling has stated that Hermione Granger resembles her younger self. This explains why Hermione saves the day so much, and why she never ends up with Harry. Rowling probably thought that would be weird. Hermione is a moderate girl genius, not a Mary Sue.

Are Wish-Fulfillment Characters Bad?

That depends on the goal of the storyteller. It’s not uncommon for Hollywood to pour a bunch of money into a Marty Stu, expecting male audiences to bring them a profit. If you’re not a man, or your fantasizes don’t involve loneliness and violence, it’s fair to criticize it as stereotypical male indulgence. Or to point out that it reinforces a destructive definition of masculinity.

But Hollywood doesn’t produce true Mary Sues, let alone wish-fulfillment for women of color, LGBT groups, or anyone else. Fanfic writers fill in the gap with their own works, adding awesome characters they identify with to stories where no one is like them. These writers aren’t trying to turn a profit, they’re creating wish-fulfillment-characters for their own enjoyment and satisfaction. There’s nothing bad about that.

And that’s why criticizing hobbyists for creating a Mary Sue is like doing this:

Original Photo from Shutterstock

Of course, once they decide to fund their personal fantasy with six million dollars, then it’s fair to inform them that they’ve created a Mary Sue audiences may dislike – nicely and constructively. For anyone trying to get into the big leagues, creating wish-fulfillment characters is risky at best.


I’d hate to see wish-fulfillment characters disappear. They tell us a lot of interesting things about ourselves. I certainly hope, however, that the Marty Stus of tomorrow crossdress, the Mary Sues become self-indulgent, the kid geniuses trade in natural brilliance for hard work, and that all three are big box office hits.

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  1. Giana

    Very interesting view on Mary Sues and Marty Stus. There are a lot of things I had never thought about them, or how important they actually are. Thanks for writing!

  2. Linda

    Wesley Crusher of TNG is one of my favorite Star Trek characters, and it has always baffled me why people hate him so. Won’t every parent want a mature, responsible, smart kid? Now I understand the reasons behind the hate. Thank you for your article.

  3. Margaret Fisher

    You forgot the biggest Mary-Sue in modern fiction…Anita Blake from the Anita Blake Vampire Hunter series. She looks like the author, everyone wants to sleep with her (even a large chunk of the villains), she gains new over-powered abilities in each subsequent novel and becomes even more of a special snowflake…I could go on and on.

  4. Michael H

    I think an example of a well done, but still very “mary sue/marty stu” character is Kvoth from The King Killer Chronicles by Rothfuss. The books are well written and quite enjoyable, but if you dig into it at all you’ll find that Kvoth is the perfect example of a Mary Sue character.

    • Quinte

      I’d add Rey from Star Wars.

      • Teetengee

        Frankly, I’d add pretty much every lead from Star Wars.

        • Passerby

          Well, Anakin suffered severe consequences of his actions several times, not to mention his ultimate fall to the Dark Side, while Luke was constantly aided by other people and also made mistakes. Rey’s just a character who comes from nowhere and outshines all of the old cast, also simultanously showing off that she not only needs no men, but also no training, experience, character consistency or any sympathetic qualities.

          • Teetengee

            Because Rey didn’t also have constant help from Finn, Poe, Chewy, Han, Leia, etc…? Anakin, Luke, and Rey are all far more talented and powerful than they have any right to be, and quickly become skilled at things far too quickly. At least Rey clearly has a rough life, so it isn’t surprising she already has some talent in hand to hand combat and controlling her emotions. Anakin on the other hand was only a child, even though he probably would have had an equally difficult life if not worse, whereas Luke did not suffer from too much hardship growing up.

            I think the flaws in the Anakin and Luke storylines are just less fresh in our minds, not appreciably different from Rey’s.

            (And Rey was never set up against Master Jedi/Seth like Anakin and Luke. Kylo just isn’t as dangerous as Anakin’s and Luke’s enemies, so it makes sense that she did not have as much trouble. Plus, force power levels seem to be increasing generation by generation, (look at Kylo surviving bolt caster and catching laser blasts for power, rather than skill), so I would expect Rey would be more powerful as well, based on her heritage.)

          • Cay Reet

            First of all, Kylo seems (from what I’ve seen and heard) to be far more dangerous than, for instance, Vader is shown to be in the first movie (now A New Hope). And in the first movie, the main villain is not the Emperor (who is barely mentioned), but Vader, so he is the enemy both Luke and Obi-Wan go up against (Luke in his X-Wing, Obi-Wan in direct combat). Now-defunct novels from the EU (“I, Jedi,” most clearly), however, say that Vader had the skill to catch laster blasts and convert them to force energy (as he seems to demonstrate in the scene where Han shoots at him in Empire Strikes Back). It would be logical that his grandson could actually have the same ability.

            Not officially being declared a master doesn’t mean not being on a master level (and it’s Sith … Seth is an Egyptian deity, albeit a darker one).

            In addition, first saying Rey is not up against an enemy as dangerous as those Anakin and Luke were up against and then claiming Kylo is stronger than the generations before him (Vader is his grandfather, after all, and the person Luke is fighting against most often, the Emperor himself only comes in during the last confrontation in the last of three movies), is not logical. Either he’s weaker or stronger than those before him, not both.

  5. Mike

    Grew up seeing Spock and Data as role models–looking through the lens of wish fulfillment, it’s not hard to see why. Impossibly skilled and talented while seldom bothered by those pesky emotions is an attractive prospect for a nerdy adolescent.

    • Carly

      Spock is a cool character IMO.

  6. Liz

    Olivia Pope from Scandal is a good example of a wish fulfillment character. I’ve seen lots of complaints about her, but it’s also nice to see a black woman on TV get to play that role for a change.

  7. Bess Marvin

    Mary Sue alert – Emma Swan from Once Upon a Time. Between romances with Graham, Neal, Hook, and Walsh, being “the Savior” with a prophecy about her, the tragic backstory of growing up as an orphan in the foster system and arrested for a crime she did not commit to later give birth (in jail) to the child of the man who framed her, is actually secret royalty, being immune to curse magic, having her own magic powers and mastering spells on first attempts with very little instruction, being possessed by the spirit of ancient darkness and not doing one evil thing because she’s just too smart and good to succumb (while every other character who has had that darkness commits countless atrocities) before she’s turned “good” again… the list could keep going. Is she anyone’s favorite character with all of those abilities? Everyone watches the show for Regina and Rumple because they are complex characters who struggle with their choices and actually have to make sacrifices for their magical abilities.

  8. Kate

    Fun fact: Wesley is Gene Roddenberry’s middle name.

  9. Leon

    Thanks for the post. When i was a kid i could never figure hou why I didnt like Wesley.
    I might get The Room for movie night – my wife would love it.
    You might enjoy the animated Riddick film. He sort of adopts Jack, believing that she’s broken in the same way that he is, but he discovers that shes just a straight up psychopath. Theres also a lot of cool science fiction weirdness that feels kind of like Aeon Flux in spaaaaace.

  10. Sedivak

    Tavi, the protagonist from Codex Alera, would probably count as a Marty Sue. I still liked the series though.

  11. E. H.

    But many of the characters that get labelled Mary/Marty Sues are just really great at a particular skill set. It isn’t just anything goes wish fulfillment. Can we imagine Riddick in a stable relationship, Wesley Crushed as a charismatic politician, Spock composing the Federation’s greatest love song?

    Outside their field of expertise, they’d be like Robert Baratheon. as in great warrior, pathetic king. A lot of characters are like that. James Bond is lucky he can fight or trick his way out of anything because he’s always getting identified as a spy and captured.

  12. E. H.

    LOL “Wesley Crushed”. Damn autocorrect made me make a Freudian slip. ?

  13. Jeppsson

    We’re rewatching TNG now, and I have two ideas for Wesley that will make him a much better and less hated character, after I manage to invent a time machine, go back, and insert myself in the TNG writer’s room.

    One problem with Wesley, pointed out by Chris in the article, is that he gets this CONTRIVED spinach before the candy shower – like he’s got important information, and this should be obvious to Picard and the other officers, but they inexplicably tell him to shut up, only so they’ll have to humble themselves before him and apologize later. This should obviously be fixed: make his spinach less contrived.
    But another problem is the sheer weirdness of a teenager who hasn’t even been through the Academy getting all these responsibilities – flying the ship, solving crucial problems, even leading his own away team! I can think of two ways of fixing this.

    1. Wesley is actually a prince and heir to some planet’s throne. (I mean, the Star Trek universe is established as having lots of these weird-ass civilizations with outdated modes of government even as they are technologically advanced.) Bev Crusher is still his mum, but his dead dad was a king that she had a romance with. This planet is important to Star Fleet for some reason, and for some other reason, it would be good for someone from their royal family to have practical knowledge about Star Fleet space exploration and military. So they end up making a deal where the Enterprise and Picard are obligated to educate Wesley in these matters. This whole thing where he gets to fly the ship etc despite haven’t even been to the Academy yet was forced upon them, and this naturally leads to some tension. As the time goes by, though, they realize more and more that Wesley is actually very talented, and begin to appreciate him more.

    2. Number 1 was the first thing that came to my mind, but this is probably a better solution: Wesley is fully acknowledged as an unusual prodigy and child genius in-universe. Because of his super high IQ, and maybe scoring really high too on various personality tests, he got special permission to enter the Academy at an early age. At sixteen, he’s already graduated as an officer. The tension and problems come from the fact that although he’s really intelligent and all that, he’s still not as mature as a proper adult. This should really be shown, too, in him occasionally doing things that are too reckless etc, in between bursts of genius. This situation leads to legitimate tensions.

    Just having an in-universe reason for his role on the ship would do much to make him less annoying.

    • Cay Reet

      I like both ideas, but I agree with you that number 2 makes more sense.

      It’s always good to remember that ‘being a prodigy’ or ‘having a high IQ’ doesn’t automatically mean that someone is good at everything they do. Wesley could have been a prodigy in things which matter in the military and have gone through the academy earlier (and, perhaps, the character could be made slightly older). He still wouldn’t be the same person as a seasoned officer who has served aboard a ship for years. He could still be immature in other ways, perhaps in his personal life or any aspect that’s not covered by academy training in general. He could still make wrong decisions under fire, because while he has the knowledge, he’s lacking both the maturity and the experience of an older officer.

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