Exposition is an important tool that will not only reduce confusion but also make your story more gripping. This may seem counterintuitive, since exposition is notorious for being boring. It will indeed be boring if you overuse it, as many writers do. Skilled used of … read more »
Additional viewpoints are a valuable tool for storytelling, but they are drastically overused. Careless use of multiple viewpoints is so common that most writers would do better by using only one. However, since it’s obvious that writers won’t stop using extra viewpoints anytime soon, let’s … read more »
I got a request for Maximum Ride, so here we are with The Angel Experiment, the first book in this bestselling series by James Patterson. By the title and the cover, we can assume the main character is an angelic young white woman. The chapters … read more »
Content editing, also known as developmental editing, looks at big-picture issues. It means examining a story to see if there’s enough conflict, if the throughline is strong, if the character arcs are satisfying, etc. Ideally, it’s the first type of editing a manuscript gets, well … read more »
Sexism in stories can be quite egregious. Heroes may outright state that women don’t belong on the battlefield, rape is often treated like a cutesy and forgivable mistake, and supposedly likable characters act in blatantly misogynist ways. Read more »
I’d like to know how to express that certain portions of dialogue are being spoken in a foreign language. So far I have handled this using italics, but my concern is that large sections of italics would be jarring to the reader. My protagonist is … read more »
It’s a podcast topic so nice we recorded it twice! But seriously, there are so many of these sayings, we just had to extend it into a two-parter. Heck, we could probably have done a third episode, but that would be a little much. Listen … read more »
We’ve all heard the sayings and truisms about writing: “Write what you know,” “show don’t tell,” and the like. They come in different forms, but they’re remarkably consistent all the same. What do these sayings actually mean? What value do they have, and how can … read more »
Sometimes writers just want a simple answer to a technical question, but everyone is telling them different things. Not only that, but many people will assure them that if they get it wrong, they’ll be humiliated once they send their work to an agent or … read more »
This is very specific, but what do I call the protagonist’s parents in narration? For example, my story is in third-person limited and my hero’s mother has just entered the scene. Do I refer to her as ‘her mother,’ ‘mum,’ ‘her mum’ or by her … read more »
