Speculative fiction readers are interested in different things. Some of them are passionate about characters, some want to explore new worlds, and others look for a riveting plot. It’s easy to make any of these elements memorable if you throw enough words at them. While … read more »
If your story takes place in another world, none of your characters are really speaking English. They aren’t telling stories or recording history in English; they’re doing it in the language you invented for them. An English language book describing their journey is clearly an anachronism. Read more »
I was astounded when several close friends told me I would eventually “run out of ideas” and have to quit blogging. They each said it independently, and it applied not just to me, but to every blogger at Mythcreants. If this notion of idea scarcity doesn’t sound strange to you, let me … read more »
One of the challenges of writing strong dialogue is making each character sound unique. Without different speaking styles, it’s hard for readers to tell who’s speaking, and conversations become lackluster. Luckily, there’s a variety of options for distinguishing characters in dialogue. Read more »
Oren argues that multiple viewpoints are awesome and everyone should love them forever. Chris argues that multiple viewpoints are terrible and no one should like them ever. Mike attempts to moderate a formal debate between them. Read more »
Your writing will immerse your readers in another reality. That’s a lot power in your hands. While you could use this power to create meaningful experiences for them, consider messing with their heads instead. By subtly twisting the way you describe objects and places, you can … read more »
Good roleplaying campaigns get the creative juices flowing for both GMs and players. So it’s no surprise that many people want to make written stories out of their best moments of tabletop. But roleplaying and writing are mediums with very important differences. If you’re looking … read more »
Have you ever wondered how to plot a series of novels instead of just one? Or how to structure a single event that takes only half a scene? If so, I have good news for you: you never have to be confused by scale again. … read more »
Chris, Oren and Mike discuss mythic structure and the wide variety of works that use it. They talk about the themes that make the journey effective, and how it can help writers craft better stories. Read more »
It’s in the nature of writers to push boundaries. Innovators of the past are widely celebrated, and as our cultural mindset changes, our stories must too. However, a successful experimenter needs a solid understanding of what conventions they are breaking, and why those conventions were … read more »
