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Good description is meaningful and imaginative, but it can be difficult to conjure an exciting rendition of every tree and shrub in your story. If you’re struggling against another bland paragraph, here are ten ways to give it some interest. Read more »
“Show; don’t tell” is one of the most popular adages in writing circles. For many writers, it’s tried and true advice. However, the real rules behind showing and telling are more complex than this simple statement suggests. There is a smooth gradient between showing and … read more »
Do you get bored with your story right after you figure out the ending? Do you lose motivation before you can turn your concept into a draft? If so, you’re not alone. Many people who want to write lose interest in new ideas very quickly. … read more »
There are few greater slug matches between writers than the debate over using an outline to plan a story. The line is drawn firmly in the sand, with “planners” on one side, and “pantsers” on the other. Each side has big names claiming their way is the only … read more »
Speculative fiction readers are interested in different things. Some of them are passionate about characters, some want to explore new worlds, and others look for a riveting plot. It’s easy to make any of these elements memorable if you throw enough words at them. While … read more »
If your story takes place in another world, none of your characters are really speaking English. They aren’t telling stories or recording history in English; they’re doing it in the language you invented for them. An English language book describing their journey is clearly an anachronism. Read more »
I was astounded when several close friends told me I would eventually “run out of ideas” and have to quit blogging. They each said it independently, and it applied not just to me, but to every blogger at Mythcreants. If this notion of idea scarcity doesn’t sound strange to you, let me … read more »
One of the challenges of writing strong dialogue is making each character sound unique. Without different speaking styles, it’s hard for readers to tell who’s speaking, and conversations become lackluster. Luckily, there’s a variety of options for distinguishing characters in dialogue. Read more »
Oren argues that multiple viewpoints are awesome and everyone should love them forever. Chris argues that multiple viewpoints are terrible and no one should like them ever. Mike attempts to moderate a formal debate between them. Read more »
Your writing will immerse your readers in another reality. That’s a lot power in your hands. While you could use this power to create meaningful experiences for them, consider messing with their heads instead. By subtly twisting the way you describe objects and places, you can … read more »