What’s this? Ariel has returned from the wilderness of freelance editing to grace our podcast yet again. She joins Chris and Wes for an in-depth discussion of emphasis in writing. How should writers make key passages stand out? How much is too much? Is bolding … read more »
Fiction is made of people doing things, and the standard “protagonist verb object” is a strong way to write that. But if you structure all your sentences that way, you’ll have a monotonous mess on your hands. When that happens, it can be a struggle to inject some life into stale phrasing. To keep your head from hitting the desk, I have some quick ideas you can use. Read more »
Narrative perspective comes in many forms. In first-person limited, the narrator and the protagonist are one and the same, and the audience knows only what the character knows. In third-person omniscient, the narrator is free to rain down information from on high and use whatever voice … read more »
Speculative fiction calls for a vast array of narrative personalities. A spec fic writer could be called on to write in the voice of a clockwork golem, a garter snake, or an otherworldly alien. But instead of flavoring your wordcraft with these perspectives, it’s all too … read more »
It’s time to tear apart The Tommyknockers, written by the venerable Stephen King and published in 1987. In his long and prolific history of writing, King has both gems and duds. Even within a work, his improvised storytelling technique tends to turn out both brilliant moments … read more »
The protagonist appeared in the doorway, dressed in a magnificent golden helm and with cerulean eyes shining fiercely. If something about that sounds a little cheesy to you, then you’ll be happy to hear that we’re spending this episode talking about character descriptions. Joined again … read more »
The choice of perspective has important ramifications for a story. The best perspective will be the one that reinforces the goals of the story, matches the writer’s skill set, and feels invisible to the audience. I’ll describe the different factors involved in a story’s perspective and how they are likely to … read more »
The old adage “show; don’t tell” is great advice for new writers. But with practice, writers can master many creative techniques that depart from standard showing. Evocative telling is one of those techniques, and it can add a lot to a story. Read more »
Recently, I wrote about the lessons writers can learn from roleplaying games. Now it’s time to discuss the reverse, because as awesome as roleplaying games are, they can teach writers some pretty bad habits. This is especially true for long-time GMs making their first forays … read more »
While they may not get the fame and prestige of their cousin the novel, short stories* are a vital part of speculative fiction. Some of spec fic’s most important and influential work comes in the form of short stories, from venerable classics like The Yellow … read more »
