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Writers use labels, known as dialogue tags, to tell their readers which character is speaking. Many writers think dialogue tags are part of their story’s narration. That’s a mistake. Tags aren’t narration; they’re a technical necessity like punctuation, font, and quotes. We don’t want readers … read more »
As you know, this will be a podcast about exposition which, as you also know, is a method for relaying information to the audience. It’s one of those techniques that’s easy to miss when it works, so we have to look extra close! Read more »
Chris, Mike, and Oren discuss the difficulties that come with revising a story based on feedback. They compare different methods of analyzing drafts, and offer tips for receiving and incorporating feedback from readers. Read more »
When we use description, we have to prioritize carefully. Too little description leaves the story without flavor, too much gets boring fast. The more effectively we use it, the more we can surf that sweet spot between short description and strong impact. Read more »
If you have lots of creative ideas and trouble organizing them, try using this framework to craft a short story. It isn’t the key to making every tale under the sun, but it should help you frame your central conflict, create a proactive character, and … read more »
You’ve worked long and hard, finally completing the first draft of your story. You could send it to others for feedback, but before you do, stretch your storytelling skills by thinking critically about your work. Does your beginning hold its weight? Is your middle taut … read more »
Foreshadowing is the storyteller’s primary tool for setting expectations. It’s a clue that tells the audience what might happen later on. Why do they need to know? There are two different reasons, and each one calls for different foreshadowing techniques. Read more »
Characters can be tricky to pin down – or even write correctly in the first place. Some lucky writers have characters that are willing to sit down and chat with them. Others can slip themselves into their character’s shoes without much difficulty. If you’re having … read more »
In previous posts in this series, I discussed setting and meeting expectations for your story’s characters and plot threads. Now I’ll be discussing one last component: what I like to call a story’s worldview. Read more »
Do you know which hooks are motivating your readers to continue? Each hook creates an open plot thread; readers are pulled in because they want to see them conclude. If you mix up your subplots or don’t close each one properly, you’ll end up with a cranky audience. Read more »