Opening a story in another world is tough. To understand what’s happening, readers may have to learn the names of people, species, places, and special devices. If you throw these names at readers too fast, they’ll be overwhelmed. But if you wait too long, they … read more »
In novels, prologues are almost always a mistake, and the reason why is simple: they take place before the story starts. If the story hasn’t started, what are you even reading? That’s why prologues are usually exposition dumps, meaningless action, or, occasionally, a completely separate … read more »
Originally published in a 1970 fanzine, The Eye of Argon by Jim Theis is known as the worst story ever written. The Eye of Argon readings are a favorite at conventions, where readers compete to read the story without laughing. Since it’s already been torn … read more »
Most writers will seek out editing at some point in their careers, but what kind of editing should you get? Wait, there are different types of editing? Oh noooooooo – sorry, the writer in us got a little excited. This week, we are joined once … read more »
While the foundational rules of storytelling are the same no matter what medium you’re using, the story’s format still has an impact. Books and films are noticeably different, if the whole moving-picture situation wasn’t enough of a clue. Nevertheless, a lot of new writers first … read more »
Behold, an introduction, a beginning if you will, that is the place where the paragraph starts and I shall, heretofore, lay out the topic. The topic is clutter, if you couldn’t guess. This week, we discuss the nature of clutter: what it is, how it … read more »
Readers need to know things to understand your story. They need to know a whole bunch of things. But writing is a linear art form, meaning you can’t just download all the necessary info at once. So what are authors to do? That’s what we’re … read more »
How to put words on paper? Should you write every day, or just when you’re feeling inspired? Is there any point to tracking your word count or using specialized writing software? This week, we’re talking about productivity in writing, something that seems to be on … read more »
We’ve discussed creating tension at a big-picture level many times. However, it’s not enough to have a big-picture plan; tension must also be brought out in the narration. While the bestselling books I critique almost always have tense narration covered, manuscripts often don’t. Let’s help … read more »