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Hi there! My story is divided into three parts. The first part takes place during my main character’s younger years. The second part jumps ahead several years. I’m worried that making such a large jump will make the reader feel as though they’ve missed out … read more »
Relationship dynamics are like archetypes for romance – they provide a template for storytellers to start from. While there are many types of dynamics, these do something specific: show how each person in the romance benefits from the relationship. Mutual benefit gives the audience a … read more »
This episode is a podcast within a podcast within a podcast about plots within plots within plots. That’s right, today we’re talking about fractal plotting. What is fractal plotting, you ask? Listen and find out! We talk about the most basic parts that make up … read more »
Story openings can be difficult as authors struggle to introduce the protagonist, show them in their everyday world, hint at what’s missing, and begin the vital process of building empathy. And all of this has to be done in a way that doesn’t drag the … read more »
Hello Mythcreants. Do you have any advice on how to make characters (villains or not) truly despicable? How to make sure they will be hated with a passion by the readers? Thanks in advance. Tom Read more »
The best villains are super scary, from Star Wars’ Darth Vader to Avatar’s Azula, but they don’t get that way on their own. Storytellers have to make the right choices in order for their villains to be threatening, and it’s a task many struggle with. … read more »
We storytellers like to play games, and so it naturally follows that the characters in our plots would like to play games too. But what happens when the game becomes the plot? Is a great time had by all, or is everyone’s good day canceled … read more »
When you finish a good story, your first instinct is probably to check if there’s a sequel. But then you hesitate. How can you be sure the sequel is going to be good? We’ve all seen more than our fair share of promising stories crash … read more »
Readers have a lot to learn during an opening, and somehow they have to learn it while being entertained. Doing that takes a careful, piecemeal approach. However, all the information readers need is often interconnected, making it difficult to figure out where to start explaining … read more »
Magic school stories are incredibly popular – and also really hard to get right. To this day, Harry Potter is still the best example of the genre I’ve seen, despite its many problems. So what’s up with this seeming contradiction? Why do both storytellers and … read more »