We'll send our best work every month.
I’ve been thinking of running a TTRPG campaign where the PCs are being accidentally dragged through many alternate worlds by the Big Bad. This allows for an episodic structure where they can foil a different plan in a different world each adventure, but also means … read more »
In my current concept, I have a “steampunk” world that is centered around class-based slave labor, in which “modern” ideologies about freedom either never happened (history splits about 1600-1700 AD) or are severely suppressed by the established powers. As an “extreme” amateur, I do not … read more »
How can I write sex scenes where the woman enjoys herself without seeming sexist? – Anon Read more »
First off, I love this whole website with my whole heart. Second, my question is: Is it possible to write a story/craft a fictional world where bigotry and discrimination is completely nonexistent? I think in terms of racism, sexism, heterosexism, etc. it is entirely possible … read more »
Hey! So my question is how often a writer should utilize mystery and enigma in stories. In Star Wars, there was a huge fiasco when in the prequels they explained the nature of the Force, as many fans would have preferred it had been left … read more »
Your article on how to bring swords to a gunfight was very interesting, and I’m dealing with a (somewhat) similar idea except that it involves characters. The plot’s picking up speed. Things are getting serious. Your protagonist is in over their head. They don’t know … read more »
Over the last few years, I’ve been making a gradual transition from hack-and-slash based campaigns to more story focused play, and one problem I’ve encountered is that many players don’t seem to get that their characters are allowed to grow. I’ve now had 2 specific … read more »
I don’t think it’s controversial to say that killing is abhorrent. But in my novelette series, particularly the latest story, there is a great deal of cultists to be killed. I don’t particularly want to dive into the protagonist’s slow mental breakdown at the horror … read more »
Thinking through hero’s journey and story archetypes (newbie here!) and was watching the recent Pixar movie Moana. My question is, what do you see as the function of or reason for a story to choose a relatively inanimate/neutral sidekick like Heihei (Moana’s chicken, that, though providing some … read more »
So, this is from roleplaying games, but I feel it is relevant to wider fiction. I was looking through a bunch of small roleplaying games I got cheap, and found one whose reveal was that the fairly generic demons who were the main antagonists were … read more »