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Keep an iron nail in your pocket and don’t eat the sparkling delicacies left out for you, because we’re going to the fairy world. What are fairies? Folk like you but with a twist, the you that lives on the other side of a loon’s … read more »
Sometimes a protagonist doesn’t get the whole universe all to themself. They have to share, and that’s what we’re talking about today. What exactly is a shared universe? Why would you use one? Are there any we should care about besides Marvel? We answer all … read more »
Do you want a story where the villain isn’t a mustache-twirling baddie who does terrible things just “for the evulz”? Instead, would you prefer a semi-sympathetic anti-hero antagonist who does terrible things for the greater good? Do you want your heroes to oppose the villain’s … read more »
While individual villains will always be important, villainous organizations really propel a story to the next level. They allow for conflict on a vast scale, not to mention giving the antagonist a pocketful of minions to throw at the hero. Storytellers can also use villainous organizations … read more »
At Mythcreants we’ve previous discussed characters who were too unlikable, too isolated, or just disappointing. Some had too much candy or too much spinach, terrible motivations, or too much candy again. But believe it or not, we occasionally run into characters that impress us. Let’s go over some characters that were … read more »
Everyone knows that the chosen one must have a chosen horse, a beast so noble and strong of will that no other warrior can ride it. Or maybe not? It turns out that horses are complicated animals, and they don’t always go along with human … read more »
Candy and spinach are important concepts because they describe two critical elements of character likability. Candy is anything that glorifies a character. This includes cool powers, defeating a major bad guy, being right in an argument, and anything else that makes them look cool to the … read more »
I’ve said it before: pointing out creepy or otherwise problematic content in bad stories is easy. Bad stories are less likely to have legions of defenders, but more importantly, we’re more inclined to see harmful elements in stories we already dislike. But critics and fans alike … read more »
The more characters in a story, the greater burden it is under. Ideally, each character’s narrative will weave together into the throughline, but that doesn’t always happen. Instead, stories often fracture under the pressure of an oversize cast, splitting off into unrelated plots. In the most … read more »
Mythcreants veterans can tell you that I talk about the dynamics of power and privilege a lot. It’s important that real people understand these dynamics, because if they don’t, they end up blaming problems on the oppressed instead of the oppressor. People operating under this misapprehension … read more »