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Building new cultures from scratch is a cornerstone of speculative fiction. From the fictional nations of high fantasy, to the interstellar empires of space opera, to the shadow kiths of urban fantasy, we authors are always crafting new societies to thrill and amaze. But for … read more »
We often think of worldbuilding in terms of creating entire new worlds from the ground up, but there are other options. That’s why today we’re dissecting the worldbuilding in Naomi Novik’s Temeraire series. Her setting doesn’t have a fancy name because it’s set on our … read more »
When building a magic system, authors are faced with a balancing act. If they restrict their magic too much, then it won’t be cool and interesting. That defeats the whole point of magic! On the other hand, if an author doesn’t put enough restrictions on … read more »
Previously, we’ve taken apart Act I and Act II to see how they tick. Now it’s time to watch the film bring its three throughlines to an effective finish. When we left off, Dr. Horrible had decided to break his no-murder code to finish off … read more »
Worldbuilding is a critical component of speculative fiction no matter the genre. From constructing entire space empires in military scifi to planning a good masquerade in urban fantasy, every author will need to make choices about what to include in their world and how to … read more »
Last week, I broke down the opening act of Dr. Horrible’s Sing-Along Blog. We went over the three plot arcs holding the whole film together, also known as the throughlines: Dr. Horrible’s quest to enter the Evil League of Evil Dr. Horrible’s romance with Penny … read more »
Anyone who’s ever applied for a business license or contested a traffic ticket can tell you that the law is incredibly complicated. It often doesn’t work the way we think it does, and since new laws get passed all the time, it keeps changing, too. … read more »
The principles we discuss at Mythcreants are actively at work in countless popular stories. That means if you’re still getting a feel for abstract concepts like tension or karma, you now have an excuse to watch your favorite movie and call it homework. Dissecting stories … read more »
Plot twists are tricky business for us storytellers. They need to be foreshadowed so they aren’t jarring, but they also need to be subtle so they don’t feel telegraphed. Then you have to consider differences in your audience. Trope-savvy readers can spot even the subtlest … read more »
Characters are overpowered for all kinds of reasons, but the effect is always the same. Either the character overcomes challenges way too easily or the author has to insert a massive contrivance to keep the conflict going. Neither outcome is satisfying, so if you ever … read more »