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Stranger Things 3 was quite a treat. After receiving criticism regarding the depiction of women in season two, the Duffer Brothers made a slew of positive changes. They returned to the plot structure that worked so well in season one, figured out how to keep … read more »
The protagonist is a story’s most important character. They have the most interesting problems, and the conflict’s outcome depends on their actions. Whether a story has multiple protagonists or just one, they should receive the lion’s share of screen time and development. At least, that’s … read more »
You might have heard there are no shortcuts to fixing a flawed story, that the only solution is to roll up your sleeves and make the hard revisions. You may even have been told that hiring a content editor is a good way to deal … read more »
The Iliad is a critical work of western literature that has influenced countless works throughout history and into the present day. But when a story is retold and adapted this often, important elements are distorted until they barely resemble the original. That’s why we’ve invited … read more »
Character arcs come in all shapes and sizes. Sometimes they fade seamlessly into the plot, but other times the characters go through major changes and become different people by the end. Both types of arc are valid, but it’s the second category we’re looking at … read more »
Character arcs form the backbone of many a story. A successful upward arc fills the audience with fuzzy warmth, while a well-crafted downward arc delivers powerful pathos. But not all arcs are put together well. When a character’s change is rushed or unjustified, it often … read more »
Worldbuilding is a core aspect of speculative fiction. Not only do fantastic worlds provide critical novelty, but they also allow for fun new plots and powerful messages! But when storytellers aren’t careful, seemingly minor worldbuilding details can have major implications. Sometimes, those implications are really … read more »
Most storytellers know they shouldn’t add slapstick to a tragic death scene or stuff explicit violence in a romantic comedy. That’s why I have only one article with tone guidelines. But recently I’ve noticed a spate of popular stories hindered by a bad tone choices. … read more »
Sometimes your hero is stuck between two choices, neither of which have a good outcome. Will they allow the villain to escape or shoot said villain in the back? Will they destroy one city to save another? Will they eat less at dinner so they … read more »
Antagonists need to be threatening so they can provide tension. If the story doesn’t have tension, then the conflict isn’t interesting, and the audience will get bored in a hurry. Storytellers have many tools at their disposal to make bad guys more threatening, but there … read more »