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A throughline is the story’s core, the problem that opens in the beginning and concludes in the climax. Throughlines are essential for compelling stories, but many authors still struggle with them, so that’s what we’re talking about this week. We discuss why stories should open … read more »
It’s one thing to master the rules of combat, but how should you describe it? Sarah joins us for a third time to discuss the delicate business of depicting combat in words. We talk about the disconnect between a badass description and a failed roll, … read more »
How do you know when someone gets to do something? Should there be complex systems for tracking whose turn it is, or should the GM just decide? What about combat? Once the dice start rolling, what’s the best way to give everyone a fair chance to … read more »
Everyone has to start somewhere, even GMs and even if that start is very embarrassing. This week, Sarah joins us to talk about the very first campaigns we ran, or at least the first campaigns we’ll admit to running. All of us learned important lessons … read more »
A common fear among writers is that our characters will all sound the same. Unlike film, we can’t count on an actor to give them personality; it all needs to come from the written page. That’s why we sat down this week to talk about … read more »
NPCs and monsters are one thing, but what about a game’s environment, how should a GM handle that? Should dust storms and floods be confined to flavor, or should they inflict serious penalties. What about hunger and thirst? Join us this week for a discussion … read more »
Everyone loves a villain. Sometimes we love villains so much we want them to be heroes. But how best to redeem them? Should they even be redeemed? Join us this week for a discussion on what goes into flipping a character from team bad to … read more »
We all love our furry (or not furry) companions, but how should they be used in stories? What separates animal companions from traditional side characters? Is R2-D2 an animal companion? We answer these bold questions and more on this episode of the podcast – plus we … read more »
Sometimes a sentence is very long, and it keeps going and going with commas in places that a period could be and extra clauses that don’t necessarily need to be there. Other times a sentence is short. Which is better? As is so often the … read more »
Some writers start every sentence with “there are,” others can’t stop italicizing, and still others write sentences that never end. We’ve all got bad habits in our writing, and this week Ariel returns to discuss them with Chris and Wes. Our hosts are all editors, … read more »