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Chris is the founder and editor-in-chief of Mythcreants. On the side she also designs, codes, and writes stories. When she manages to escape from chronic workaholism, she likes to drink tea, wear funny hats, pet kitties, and crush her enemies at the game table.
Last week, I broke down the opening act of Dr. Horrible’s Sing-Along Blog. We went over the three plot arcs holding the whole film together, also known as the throughlines: Dr. Horrible’s quest to enter the Evil League of Evil Dr. Horrible’s romance with Penny … read more »
The most important part of heroism. Read more »
I’m pre-writing a long fantasy series and the final “act” always seems to be a build up to one great big battle scene. Are there any other options for sci-fi/fantasy writers’ third act instead of a great big world-ending battle? That would be a great … read more »
For no reason at all, disease seems to be on a lot of authors’ minds right now. Whether you’re writing up a storm in self-quarantine or just thinking of new ideas during this difficult time, we’ve got all the disease-focused discussion you could possibly want. … read more »
The principles we discuss at Mythcreants are actively at work in countless popular stories. That means if you’re still getting a feel for abstract concepts like tension or karma, you now have an excuse to watch your favorite movie and call it homework. Dissecting stories … read more »
Beware the Ivory Tower! Read more »
The attitude here is that writers should tread lightly with marginalised cultures that they don’t belong to: don’t try it if you’re not fully prepared to research heavily, to accept insider input, and to give credit where it’s due. I agree with all of that … read more »
I could tell you what this podcast is about, but how would you know if I was telling the truth? Normally, you’d just have to trust me, but in fantasy stories, we can have magic that stops people from lying. That’s what we’re talking about … read more »
We’ve discussed choosing the right perspective and narration style for your story, but for many stories, this is not uniform. Instead, the narration changes with the story’s content. One of the biggest factors in whether these changes are smooth or jarring for readers is your … read more »
What to do when your hero and villain fight in Act I. Read more »