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Chris is the founder and editor-in-chief of Mythcreants. On the side she also designs, codes, and writes stories. When she manages to escape from chronic workaholism, she likes to drink tea, wear funny hats, pet kitties, and crush her enemies at the game table.
So, this is from roleplaying games, but I feel it is relevant to wider fiction. I was looking through a bunch of small roleplaying games I got cheap, and found one whose reveal was that the fairly generic demons who were the main antagonists were … read more »
Have you heard of this thing called literary fiction? We have, but we’re not quite certain what it is or why it matters. And we’re not the only ones who are confused. This week we get deep into what “literary” means, and how much writers … read more »
While all rules can be broken, breaking them successfully takes a robust knowledge of storytelling principles. How do you know when breaking a rule is successful? In concept, that’s simple; you’re successful when you gain more from breaking the rule than following it. Of course, … read more »
Sometimes it’s obvious who’s right and who’s wrong. The hero is kind and good, while the villain is cruel and evil. But what if that’s not the case? What happens when morality isn’t black and white but rather a shade of gray? That’s what we’re … read more »
What is a story’s message, and what is its theme? Are those different things? Have we been using words wrong this whole time? This week we aim to find out. Listen as battle lines are drawn over academic vs common word usage, and then as … read more »
Despite the growing recognition of gender-neutral pronouns, many people – particularly in the writing industry – reject singular they. These traditionalists usually complain that singular they will make English worse. But English itself has something to say about that. Read more »
How many wizards should a party have? What about fighters? Does it even matter? That’s right, this week we’re talking about party composition in roleplaying games. Well, mostly in roleplaying games. We touch on other mediums too. Listen as we discuss which games require a … read more »
Most principles of character likability work for a broad audience. But when a reader identifies with a character in your story, it can alter likability in ways that are difficult to predict. What’s more, every reader could identify with a different character, creating highly varied … read more »
As soon as I spotted the cover for Jonathan Renshaw’s Dawn of Wonder, The Wakening, I knew this was the book to critique. “Dawn of Wonder” is already dramatic sounding, and adding “The Wakening” pushes it into melodrama. It doesn’t help that these words border … read more »
Balancing plot and worldbuilding is a tricky business. You might want a world where magic is light and fun, but then want a plot about how magic is dangerous and needs to be hidden away. If that’s happened to you, then congratulations, you’re in good … read more »