Chris is the founder and editor-in-chief of Mythcreants. On the side she also designs, codes, and writes stories. When she manages to escape from chronic workaholism, she likes to drink tea, wear funny hats, pet kitties, and crush her enemies at the game table.
What are the best ways to do verbal climaxes, and what are some good examples thereof? I want to write a story where the climax is a conversation between two characters to uncover the truth, or a detective’s denouement, or a courtroom cross-examination ending in … read more »
What’s that feeling inside you? Do you want one thing but also want another thing? Then you might have internal conflict, an important tool in any storytellers kit. External conflicts provide plenty of excitement and motivation, but internal conflicts are how you really get into … read more »
If only diplomacy was that easy. Read more »
What’s that, you want to know how to tell jokes in fiction? I guess we could… humor you. Yeah, that’s about the level of comedy you should expect from this podcast, but on the bright side, we do have some actual insights into how humor … read more »
One of the most common questions that comes up in writing is how to gracefully describe the point-of-view character. In limited perspective, the narration reflects what that character is thinking at some level. While it’s easy to work in description of other characters as soon … read more »
Water, earth, fire, Amelia Earhart. Wait, what? One of those things is not like the others. This is what happens when you don’t theme your world. What does theming your world mean? I’m glad you asked, because this week we have a podcast all about … read more »
I was hoodwinked by the marketing of Winter World. It says “International Bestseller” on the cover, and without thinking about it too hard, I assumed that meant this book was a bestseller. Only later did I realize it’s probably referring to the author, A. G. … read more »
Love knows no boundaries. Read more »
First there’s a problem, then there’s a turning point, and then… darn it, what comes after the turning point? If everything’s working properly, that’s when it’s time for the resolution, but this is trickier than some writers think. You have to show things resolving, not … read more »
We don’t write endless text without pause. At every level, from an entire book to each individual sentence, we break our prose into chunks. Some places in a story require a break, and in other places, breaking is optional. By placing these subjective breaks, we … read more »
