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In a book I am currently writing, the fictional society has moved beyond any kind of transphobia, so being transgender is not treated as being anything out of the ordinary. Given this, I am wondering how to show that a character is transgender if it is not something that anyone would comment on or care about in-universe?
– Juliette
Is something bad going to happen? Will the hero make that jump? Will the villain foreclose on the orphanage? That tight feeling you get thinking about those questions is called tension, and it’s a critical element of storytelling. So critical, we’re devoting an entire episode … read more »
Organizations play a critical role in speculative fiction. They allow for bigger plots and higher stakes than are feasible with individual characters. However, they are also uniquely challenging. When crafting fictional organizations, storytellers must consider what the organization does, how it operates, where its resources … read more »
It’s often assumed that time travel would break the laws of logic. However, according to some philosophers, most famously the late David Lewis, this need not be the case. Scifi is full of time-travel stories that are fun, exciting, and gripping while breaking the laws … read more »
We came alive when the clock rang one. Submerged in night, we were safe from the scorching rays of sun and burning beams of lanterns. We emerged from the cracks in the cupboards and swam through the crannies between the floor planks. Famished from our day of fasting, we slid up the table to taste the dying heat of the evening’s tea and gorge on warmth from the oven. Bolstered, we condensed into shadows of the night air. After that we played, but we heard well the chimes on every hour, and once we heard five, we shrank back into our crevices and slept. So it was before the beast came. Read more »
This is very specific, but what do I call the protagonist’s parents in narration? For example, my story is in third-person limited and my hero’s mother has just entered the scene. Do I refer to her as ‘her mother,’ ‘mum,’ ‘her mum’ or by her … read more »
What is the topic of this week’s episode? No one knows. You’ll have to collect clues and interview suspects to find out. It’s a total mystery! Which fits, because the topic of this episode is mystery stories. Listen as we discuss how important the final … read more »
Everyone loves a good mystery. But mystery stories have a common problem: no satisfaction at the end. That’s because everything in the story leads to a big reveal about whodunit. Reveals are always tricky to pull off, so if the story’s not firing on all cylinders, … read more »
Mythcreants dwells a lot on ANTS, the four effects that make stories engaging. But while we’ve devoted whole articles to specific aspects of attachment, tension, and satisfaction, novelty hasn’t gotten as much time in the limelight. The problem is that anything in the story can … read more »
Dear Oren/Chris, I’m an amateur fantasy writer and a rising college freshman working on the second draft of a high fantasy novel. Some context for the question: 1. The main character lives on a different continent than the magical school she ends up going to, … read more »
